Results 41 to 50 of about 140 (120)

The counternarrative in early Pynchon: Race and power in “The Secret Integration”

Orbis Litterarum, Volume 80, Issue 1, Page 19-35, February 2025.
Abstract The issue of race and power in “The Secret Integration” requires re‐examination. Politically oriented readers have characterized the plot as forms of alignment with racism and segregation, whereas readers focusing on the esthetics and development of the authorship have to some degree recognized the role of the counternarrative in this early ...
Kristian Larsson
wiley   +1 more source

Rural songs for COVID‐19 times? UK folk music's resurgent engagement with the countryside

Area, Volume 56, Issue 4, December 2024.
Abstract The COVID‐19 pandemic somewhat unexpectedly promoted resurgent interest in the attractions of rural places, not least associated with nature, in many countries for especially urban people. The paper argues that this link was very fecund for many within the broad UK ‘folk music’ community specifically.
Keith Halfacree
wiley   +1 more source

Joyos de Tholoza, "L’autrier el dous temps de pascor" (BdT 270.1) [PDF]

Lecturae Tropatorum, 2016
Very little is known about Joyos de Tholoza. He probably came from the County of Foix and lived in the second quarter of the thirteenth century. In the third stanza of his only extant song it is the poet who claims to be called Joyos and to come from ...
Sabrina Galano
doaj  

Exploring Disney's Worlds Through Religious Studies

Religion Compass, Volume 18, Issue 11-12, December 2024.
ABSTRACT Over the course of the last century (1923–2023), the Walt Disney Company has both catalyzed and reflected dizzying changes in the American cultural landscape—including religious ones. Scholars of Disney and religion often take one of three tactics to analyze this pairing: 1) Disney as religion 2) Disney depicting religion, or 3) Disney as ...
Jodi Eichler‐Levine
wiley   +1 more source

Qualche nota su "Reis glorios" [PDF]

Lecturae Tropatorum, 2018
The article constitutes a return to the textual and interpretative questions concerning the famous alba by Giraut de Borneill, starting from the important studies that have been dedicated to this poem over the last ten years.
Walter Meliga
doaj  

The Sociality of Form: Camillo Sitte's Urban Morphologies

The German Quarterly, Volume 97, Issue 4, Page 490-505, Fall 2024.
Abstract This article examines a text by a lesser‐known figure of fin‐de‐siècle Vienna, Camillo Sitte's Der Städtebau nach seinen künstlerischen Grundsätzen (1889), tracing the relationship between urban form and social structure in Sitte's treatise. It identifies the key points of this relationship in terms of causality: the form of public spaces can ...
Margareta Ingrid Christian
wiley   +1 more source

Guilhem de Montanhagol, "Non an dig tan li primier trobador" (BdT 225.7) [PDF]

Lecturae Tropatorum, 2018
This contribution provides a close examination and a new critical edition of Non an dig tan li primier trobador by Guilhem de Montanhagol (BdT 225.7).
Cesare Mascitelli
doaj  

Il «Roman de Flamenca» e la metamorfosi del lirico

Carte Romanze, 2017
Il contributo fa luce sul complesso rapporto tra il tardo-duecen­tesco Roman de Flamenca, esponente tra i piú rilevanti dell’“eccezione narrativa” occitana, e il tipo letterario della lirica trobadorica.
Andrea Macciò
doaj   +1 more source

African American English, racialized femininities, and Asian American identity in Ali Wong's Baby Cobra

Journal of Sociolinguistics, Volume 28, Issue 4, Page 64-84, September 2024.
Abstract We analyze Asian American comedian Ali Wong's linguistic and embodied performance in her 2016 stand‐up special, Baby Cobra, through a genre‐specific lens to investigate how stand‐up comedy's performance conventions shape her comedic persona. We argue that Wong uses communicative forms indexically associated with Blackness to perform racialized
Kendra Calhoun, Joyhanna Yoo
wiley   +1 more source

Aimeric de Pegulhan, "Nulhs hom no sap que s’es gautz ni dolors" (BdT 10.39) [PDF]

Lecturae Tropatorum, 2017
Nulhs hom no sap is one of the love songs by the troubadour Aimeric de Pegulhan. The analysis of the content cobla after cobla casts light on some connections between this and other poems by Aimeric, together with possible relations between Nulhs hom no ...
Paolo Gresti
doaj