«Pai Gomez Charinho al di là del bene e del male»
Sommario: L’articolo consiste in un «esercizio di lettura» di una cantiga de amor del trovatore galego-portoghese Pai Gomez Charinho (Oi eu sempre, mia sennor, dizer), della quale viene identificata la fonte paremiologica, fino ad ora sfuggita agli ...
Pär Larson
doaj +1 more source
Aimeric de Pegulhan, "Ja no cujey que·m pogues oblidar" (BdT 10.30); Id. (?), "S’ieu hanc chantiei alegres ni jauzens" (BdT 10.48) [PDF]
This paper will provide new editions, with critical apparatus, commentary and translation, of Ja no cujey que·m pogues oblidar (BdT 10.30) and S’ieu hanc chantiei alegres ni jauzens (BdT 10.48).
Luca Gatti
doaj
Troubadour Biographies and the Value of Authentic Love: Daude de Pradas and Uc de Saint Circ
The idea of an essential connection between the quality of a song and the sincerity of the emotion it expresses ("I sing because I love") is a topos used in various ways by troubadours, one which lent itself naturally to discussion of their relationship ...
Thomas Hinton
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Una o trina? Le epistole di Raimbaut de Vaqueiras al marchese Bonifacio [PDF]
This article intends to reopen the debate about the structure of Raimbaut de Vaqueiras’ epistles to Marques Boniface I, in order to establish whether they are actually three autonomous texts concerning the poet’s friendship with his patron, composed at ...
Giuseppe Tavani
doaj
La tradizione trobadorica: manoscritti, fonti, compilazioni. Tavola rotonda (Milano, 12 maggio 2014)
La sezione raccoglie gli interventi presentati alla tavola rotonda "La tradizione trobadorica: manoscritti, fonti, compilazioni" tenutasi presso l'Università degli Studi di Milano il 12 maggio 2014, nel quadro del Convegno internazionale "Anomalie ...
Riccardo Viel +5 more
doaj +1 more source
Anonimo (già attribuito a Bertran de Born), "Si tuch li dol e·l plor e·l marriment" (BdT 80.41) [PDF]
The anonymous Si tuch li dol e·l plor e·l marriment (BdT 80.41) is a planh which stands out for its intensity and for its refined rhetorical construction among the 45 surviving examples of this particular lyric genre dating back to the 13th century; the ...
Roberta Manetti
doaj
Religious Studies Review, Volume 51, Issue 1, Page 105-108, March 2025.
Spencer Dew
wiley +1 more source
Garin lo Brun, “Nueyt e iorn suy en pessamen” (BdT 163.1) [PDF]
The article provides a commentary and a new interpretation of Garin lo Brun’s poem “Nueyt et jorn”. The unusual typology of this dialogical poem has led to problems concerning generic classification, since it starts with an introductory stanza in the ...
Francesco Carapezza
doaj
Guilhem Olivier d’Arles, "Sert es qui a mal vezi" (BdT 246.14); Id., "Escrig truep ieu en Salomo" (BdT 246.22) [PDF]
In his coblas Sert es qui a mal vezi (BdT 246.14) and Escrig truep ieu en Salomo (BdT 246.22) Guilhem de l'Olivier d'Arles translates the traditional poetry of the troubadours into the new ideology of urban chivalry that was governing the municipalities ...
Gerardo Larghi
doaj
Paolo Lanfranchi di Pistoia, "Valenz senher, rei dels Aragones" (BdT 317.1) [PDF]
This article presents a new edition, complete with commentary, of the Provençal cobla by Paolo Lanfranchi da Pistoia. The poem is only attested in the esparsas section contained in songbook P (ff. 55-66); it is a «Sirv.[entes] in Form eines Sonetts» (BdT,
Giuseppe Noto
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