Guilhem de Montanhagol, "Non an dig tan li primier trobador" (BdT 225.7) [PDF]
Lecturae Tropatorum, 2018 This contribution provides a close examination and a new critical edition of Non an dig tan li primier trobador by Guilhem de Montanhagol (BdT 225.7).
Cesare Mascitelli
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Journal of Sociolinguistics, Volume 28, Issue 4, Page 64-84, September 2024.Abstract We analyze Asian American comedian Ali Wong's linguistic and embodied performance in her 2016 stand‐up special, Baby Cobra, through a genre‐specific lens to investigate how stand‐up comedy's performance conventions shape her comedic persona. We argue that Wong uses communicative forms indexically associated with Blackness to perform racialized
Kendra Calhoun, Joyhanna Yoo
wiley +1 more source
Aimeric de Pegulhan, "Nulhs hom no sap que s’es gautz ni dolors" (BdT 10.39) [PDF]
Lecturae Tropatorum, 2017 Nulhs hom no sap is one of the love songs by the troubadour Aimeric de Pegulhan. The analysis of the content cobla after cobla casts light on some connections between this and other poems by Aimeric, together with possible relations between Nulhs hom no ...
Paolo Gresti
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«Pai Gomez Charinho al di là del bene e del male»
Revista de Literatura Medieval, 2016 Sommario: L’articolo consiste in un «esercizio di lettura» di una cantiga de amor del trovatore galego-portoghese Pai Gomez Charinho (Oi eu sempre, mia sennor, dizer), della quale viene identificata la fonte paremiologica, fino ad ora sfuggita agli ...
Pär Larson
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Aimeric de Pegulhan, "Ja no cujey que·m pogues oblidar" (BdT 10.30); Id. (?), "S’ieu hanc chantiei alegres ni jauzens" (BdT 10.48) [PDF]
Lecturae Tropatorum, 2017 This paper will provide new editions, with critical apparatus, commentary and translation, of Ja no cujey que·m pogues oblidar (BdT 10.30) and S’ieu hanc chantiei alegres ni jauzens (BdT 10.48).
Luca Gatti
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Troubadour Biographies and the Value of Authentic Love: Daude de Pradas and Uc de Saint Circ
Interfaces: A Journal of Medieval European Literatures, 2017 The idea of an essential connection between the quality of a song and the sincerity of the emotion it expresses ("I sing because I love") is a topos used in various ways by troubadours, one which lent itself naturally to discussion of their relationship ...
Thomas Hinton
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Una o trina? Le epistole di Raimbaut de Vaqueiras al marchese Bonifacio [PDF]
Lecturae Tropatorum, 2017 This article intends to reopen the debate about the structure of Raimbaut de Vaqueiras’ epistles to Marques Boniface I, in order to establish whether they are actually three autonomous texts concerning the poet’s friendship with his patron, composed at ...
Giuseppe Tavani
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La tradizione trobadorica: manoscritti, fonti, compilazioni. Tavola rotonda (Milano, 12 maggio 2014)
Carte Romanze, 2014 La sezione raccoglie gli interventi presentati alla tavola rotonda "La tradizione trobadorica: manoscritti, fonti, compilazioni" tenutasi presso l'Università degli Studi di Milano il 12 maggio 2014, nel quadro del Convegno internazionale "Anomalie ...
Riccardo Viel +5 more
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Anonimo (già attribuito a Bertran de Born), "Si tuch li dol e·l plor e·l marriment" (BdT 80.41) [PDF]
Lecturae Tropatorum, 2018 The anonymous Si tuch li dol e·l plor e·l marriment (BdT 80.41) is a planh which stands out for its intensity and for its refined rhetorical construction among the 45 surviving examples of this particular lyric genre dating back to the 13th century; the ...
Roberta Manetti
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Garin lo Brun, “Nueyt e iorn suy en pessamen” (BdT 163.1) [PDF]
Lecturae Tropatorum, 2008 The article provides a commentary and a new interpretation of Garin lo Brun’s poem “Nueyt et jorn”. The unusual typology of this dialogical poem has led to problems concerning generic classification, since it starts with an introductory stanza in the ...
Francesco Carapezza
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