Note linguistiche su "Senso" di Luchino Visconti
Lingue e culture dei media, 2022 Fin dalla sua uscita nel 1954, Senso, il film di Luchino Visconti tratto dall’eponimo racconto di Camillo Boito (1883), ha suscitato l’attenzione degli studiosi. Mancava però uno studio dedicato agli aspetti linguistici.
Mario Piotti
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Oltrepassare la soglia della morale: delitto, giustizia, suicidio
Archivio d’Annunzio, 2021 The essay is about the film L’innocente by Luchino Visconti based on the novel by Gabriele d’Annunzio (1892). Accused of immorality, the literary text, decisive for the work of the Italian writer and dramatist, narrates – in the movie – the story of ...
Borin, Fabrizio
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Luis II de Baviera y Luchino Visconti: ¿vidas paralelas? Estudio sobre Luis II de Baviera [PDF]
Área Abierta, 2016 En esta investigación se presenta la figura de un personaje histórico como fue Luis II de Baviera (1845-1886) y la visión que sobre él y su reinado realizó para el cine el director italiano Luchino Visconti.
Juan García Crego +1 more
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The riddle of style changes in the visual arts after interference with the right brain. [PDF]
Front Hum Neurosci, 2011 What is visual art? What are paintings? What are films? Although innumerous answers have been proposed to these questions, we here analyze the paintings and films of several visual artists, who suffered from a well-defined neuropsychological deficit ...
Blanke O, Pasqualini I.
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El universo melodramático de Tennessee Williams y de Luchino Visconti: Senso, un encuentro fílmico [PDF]
Zibaldone: Estudios Italianos, 2017 El melodrama es uno de los géneros más cultivados por el dramaturgo norteamericano Tennessee Williams y el cineasta italiano Luchino Visconti. El escritor acababa de tener un rotundo éxito en Broadway con Un tranvía llamado deseo (1947) cuando se ...
Valeriano Durán Manso
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Elsa Morante and the Cinema: "L’Isola di Arturo" by Damiano Damiani [PDF]
Cuadernos de Filología Italiana, 2015 Although its intensity and duration, the relation between Elsa Morante and the cinema is less studied by the critics, perhaps because of the scarceness of information.
Marco Bardini
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Existentialist Ideas in Luchino Visconti’s Films: Intertextual and Contextual Perspectives [PDF]
Художественная культураThe article presents an analysis of the embodiment of existentialist ideas in the cinematic work of the 1940s — 1960s of the Italian director Luchino Visconti.
Ivanchenko Inna I.
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Star, Diva, Amateur: The Actress’s Two Bodies on the Example of Crystal Pictures by Luchino Visconti
Društvene i humanističke studije (Online), 2023 The problem of the diva/the divo within Italian cinematography has – just like that of the star – already been examined several times. But the appearance of the minute stars within the media culture of the past 20 years throws a completely new light on ...
Marijana Erstić
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Da Luchino a Giovanni: gli eserciti della grande espansione viscontea (1339-1354)
Nuova Antologia Militare, 2022 During the years of the government of Luchino and Giovanni Visconti (1339-1354), Europe was raged by rampant natural disasters such as the plague epidemic, nevertheless for the lords of Milan were decades of technological innovations, great achievements,
Fabio Romanoni
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Collection of scientific works "Notes on Art Criticism", 2023 The purpose of the article is to identify the problems of creativity of directors-authors who have realised their artistic potential both in author's cinema and in the plane of the stage and to define scientific landmarks that will contribute to the ...
Galyna Pogrebniak
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