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Vladimir Nabokov, un exemple d’aliénation créatrice
The terms “strange” and “stranger” derive from extraneus, a Latin word literally meaning “outside of”. This article proposes to examine the notions of distance and limit which shape the consciousness of a foreigner / outsider—Vladimir Nabokov.
Marie Bouchet
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Le cosmopolitisme linguistique de Vladimir Nabokov
Nabokov was first a Russian author before he switched to writing his novels in English at the beginning of the 1940s. His multilingualism left a significant imprint on his prose in the form of code-switching (i. e.
Julie Loison-Charles
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'Readable, indeed!': Nabokovs keuze voor de 'letterlijke' vertaling [PDF]
A
Keersmaekers, Flora
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The ways Vladimir Nabokov portrays people are analysed through the prism of the writer’s bilingualism. The research is based on the writer`s autobiographic memoirs «Conclusive Evidence / Другие берега» and his novel «Камера обскура»/ «Laughter in the ...
Lyudmila Vladimirovna Krivoshlykova +1 more
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Vladimir Nabokov, like the late James Thurber, is a word-fan\u27s delight; his novels abound with interlingual puns, anagrams, homonyms and other forms of wordplay, so intimately woven into the fabric of his stories that it is difficult to examine them ...
Keller, Robert Cass
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Women in Nabokov’s Russian novels [PDF]
This article examines the presence of female characters in the Nabokov’s novels of the Russian period (1925-1939). There is a pattern in the use of female characters that illuminates the novels studied.
Garipova Castellano, Nailya
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A CONSTITUIÇÃO DO SUJEITO FEMININO EM DOM CASMURRO, LOLITA E LA NADA COTIDIANA
O presente artigo realiza uma análise acerca da representação do sujeito feminino nos romances Dom Casmurro (1899), de Machado de Assis, Lolita (1955), de Vladimir Nabokov, e La nada cotidiana (1995), de Zoé Valdés, com o intuito de detectar as práticas ...
Felipe dos Santos Matias
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Nabokov versus Puškin. La Traduzione Inglese di Evgenij Onegin
La traduzione che Vladimir Nabokov svolge del poema russo Evgenij Onegin di Aleksandr Puškin offre lo stimolante esempio di un artista che si presenta come traduttore, critico, commentatore e studioso. Il saggio esplora il lavoro svolto da Nabokov sulla
Nadia Caprioglio
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