Results 131 to 140 of about 2,448 (238)

Taxonomy of gesture-sound relationships in Manual Interactions with Imaginary Objects (MIIO) in Hindustani Dhrupad vocal improvisation

Accelerando: BJMD
Over the years, multiple taxonomies have emerged to categorize the diverse range of movements, particularly those linked to music, with a wealth of literature in music performance exploring this topic.
Stella Paschalidou
doaj  

8th International Conference for Research in Music Education (RIME 2013)

, 2013
This paper presents new data regarding the jazz vocalist’s experience of conceptualising pitch while improvising. Research which juxtaposed vocalists with instrumentalists revealed that vocalists have significantly less awareness of absolute pitch.
Hargreaves, Wendy
core  

Negotiating sound, noise and silence through improvisation, composition and image

I propose the panoramic, but there is always detail in the terrain. My music resembles a topographic vista that is long and wide, but this should not infer stasis. On a macro level I aim for the sonic as landscape, containing intricacy and particularity,
Harvey, Stephen
core  

Can Taught Sung Improvisation within the Vocal Coaching Studio Mitigate the Effects of Music Performance Anxiety in Singers?

Music performance anxiety is a prevalent issue among musicians, including both instrumentalists and singers (Kenny, 2011), impacting their ability to perform (Ladano, 2016).
Heasman-Cossins, C (via Mendeley Data)
core   +1 more source

The therapeutic effects of vocal improvisation [PDF]

, 2018
openaire   +1 more source

The classical style: modal analysis of vocal improvisation in Turkey

, 2015
This paper concerns the emergence of a new style of vocal performance in Turkey during the early-Republican period (1923–1938). Developed by the renowned artist Münir Nurettin Selçuk (1899–1981), the new manner of vocal rendition was considered to be ...
O'Connell, John Morgan
core  

Vocal schizophrenia or conscious flexibility? : owning the voice in the South African context

, 2009
Includes abstract.Includes bibliographical references (leaves 56-60).This thesis questions how and why certain South African performers habitually and unconsciously shift accent in the performance context.
Araujo, Darron
core  

A structured and embodied framework (SAEF) for pain communication and externalization. [PDF]

MethodsX
M AA, Karthiga RKJ.
europepmc   +1 more source

Embodied engagement: fostering caring thinking in a multimodal singing-based learning environment for refugee children. [PDF]

Front Psychol
Mohammadhosseini M, Schmid S.
europepmc   +1 more source

CircleSong and the Art of Improvisation

, 2016
The purpose of this project was to investigate the varied applications and teaching methodologies of vocal improvisation in the discipline of performance by attending an advanced improvisation, intensive education workshop. Method The primary method of
Thorne-Bond, Susan
core