Results 21 to 30 of about 740 (52)
Dystopia as a cinematography direction [PDF]
Dystopia is a direction of the artistic literature and the cinematography direction, in narrow sense, it is a description of the totalitarian state, in wide sense, it is a description of any society, in which there are prevailed negative progress trends.
Koval, Ju.
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Zamyatin\u27s We and the Idea of the Dystopie [PDF]
An examination of We clarifies conventions for the dystopic novel even as it reveals that We transcends those conventions. Under the surface text, which presents a narrative of political and romantic struggle, lie subtexts exploring the personal and ...
Mikesell, Margaret Lael +1 more
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Anonymous: The Occupy Movement and the Failure of Representational Democracy [PDF]
In this essay I try to make the case that the Occupy Movement can be thought through as a Post-Situationist art event which requires that it be thought of in terms of its pragmatic effects and what it can ‘do’ in relation to its viral spreading around ...
Jagodzinski, Jan
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This study examined the originality of psychologism in the novel «We» written by E. Zamyatin in the context of Nonclassical Prose. In the novel, E. Zamyatin connected social and psychological point of view not refusing gains of realism of 19th century ...
- Kan Ben Yun
doaj
The Glass Man Identity Created by Normative Virtuality [PDF]
Криволап Алексей Дмитриевич – кандидат культурологии, доцентThis paper examines the communication problem with creating online identity and saving private space in the era of data turn when every step and click is recorded and stored in databases.
Krivolap, A., Криволап, А. Д.
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St. Petersburg and Moscow in twentieth-century Russian literature [PDF]
At one pole, St. Petersburg, the rectilinear city built on desolate marshland by the sheer force of one man’s will, gazing from Russia’s northern border towards the West and modernity; at the other, Moscow, sprawling and chaotic capital of old Rus ...
Palmer, Isobel
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Sébastien Doubinsky in Conversation with Isabelle Petiot [PDF]
Sébastien Doubinsky is a bilingual French writer and academic, born in Paris in 1963. He has been widely published in French and in English. In France, Quién es? and La Trilogie Babylonienne were published by Joelle Losfeld.
Isabelle Petiot, Sébastien Petiot
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Culture As Resistance: The Case Of The Solovki Prison Camp And Of Its Inmates [PDF]
No abstract ...
Gullotta, Andrea
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Representation of hope in a canonical dystopian novel:female characters, love-triangle and humanisation in We, Brave New World and Nineteen Eighty-Four [PDF]
Tiivistelmä. In this thesis, I analyse the representation of female characters and their relation to the representation of utopian hope in three canonical literary dystopias: Yevgeny Zamyatin’s We (1921), Aldous Huxley’s Brave New World (1932) and George
Ristimella, I-T. (Iida-Tuulia)
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Science fiction (SF) emerges as a distinct literary and cultural genre out of a familiar set of world-famous texts ranging from Mary Shelley’s Frankenstein (1818) to Gene Roddenberry’s Star Trek (1966–) to the Marvel Cinematic Universe (2008–) that have,
Canavan, Gerry
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