Results 21 to 30 of about 968,810 (109)
Per una filologia del copione: Adelaide Ristori e ‘Lady Macbeth’
DrammaturgiaAdelaide Ristori’s Macbeth is an interesting object for a study in the field of theatrical philology. In Ristori’s Archive at Museo Biblioteca dell’Attore in Genoa there are in fact many unpublished and little-valued materials which can be profitably ...
Emanuela Chichiriccò
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Il costume fuori scena: testimonianze e documenti del progetto creativo di Adelaide Ristori
DrammaturgiaThis essay investigates a unique actress’s wardrobe in the history of 19th century theatrical costume: Adelaide Ristori’s costumes exemplify the case of a leading actress who has trod the stages of major theaters worldwide.
Bruna Niccoli
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Le carte cantano. La musica nel Fondo Adelaide Ristori al Museo Biblioteca dell’Attore di Genova
DrammaturgiaThis essay aims at proposing a map of the relationship between Adelaid Ristori and music, as it emerges from consulting the Adelaide Ristori Archive at the Museo Biblioteca dell’Attore in Genoa.
Raffaele Mellace
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Drammaturgia, 2023 This essay aims to provide a cross-section of the 19th century photography through the lucky encounter between Adelaide Ristori and the American Napoleon Sarony, who portrayed the actress on various occasions years apart.
Marianna Zannoni
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Drammaturgia, 2023 «Tragedy and Ristori will die the same day». This is how António Feliciano de Castilho, the infamous ultra-Romantic Portuguese writer and polemist, refers to the great Adelaide Ristori, in an inflated article published in the «Revista Contemporanea de ...
Rui Pina Coelho
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Le rôle d’Adelaide Ristori dans la formation de la scène nationale grecque
Drammaturgia, 2023 Adelaide Ristori travelled to Athens in 1865, during her tour of the Eastern Mediterranean, which included major economic and cultural centres in the region.
Alexia Altouva
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DrammaturgiaThis essay reconstructs the difficulties encountered by Adelaide Ristori in coordinating the translation and simultaneous publication in several languages of her volume of Ricordi e Studi artistici.
Antonella Valoroso
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Adelaide, ‘born a dramatic gipsy’
Drammaturgia, 2023 Many acting careers have a T0, that is a first time that corresponds neither to the simple chronology nor to any anecdotes, but events in which the theatre clearly manifests itself to them in the form of alignment between the represented reality and ...
Roberto Cuppone
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