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A Euripides quote in the prologue to The Knights (Eq. 14–20)
ШагиThis article deals with the distribution of dialogue lines between two slaves in the prologue of Aristophanes’ The Knights. There is no agreement among editors which slave utters the quote from Euripides’ Hippolytus (Eur. Hipp.
G. S. Belikov
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...Brevique Adnotatione Critica...: a preliminary history of the Oxford classical texts [PDF]
, 2007 On 3 July 1896, at one of the less regular meetings of the Delegates of Oxford University Press (OUP) held during the Long Vacation, approval was given to publication of the Oxford Classical Texts (OCT) series.
Whitaker, G.
core
Fonctions du mythe chez Eschyle
Kentron, 2001 Aeschylus assigns three functions to Myth :1. Myth (muthos), “story”, “fable”, provides the subject and the characters ;2. Myth brings the world and time to the stage ;3. Myth infers gods and gives meaning.
Bernard Deforge
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The German Quarterly, Volume 97, Issue 4, Page 455-471, Fall 2024.Abstract Recent scholarship on poetic materiality has found itself caught between celebration of the way rhythm might link language and the body, on the one hand, and critiques of the way such a link can lead and has led to various types of essentialism, on the other.
Hannah Vandegrift Eldridge
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The drama and the short-story: a comparison [PDF]
, 1923 Thesis (M.A.)--Boston ...
Hamlen, Frank Henry
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Echoes of Longinus in Gregory of Nyssa [PDF]
, 1999 Gregory's stylistic criticisms of his opponent in Against Eunomius show the terminological influence of the Art of Rhetoric and Philological Discourses of the third-century critic Cassius Longinus.
Heath, M.
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Poet as poem: The intermedial staging of A. E. Housman in Tom Stoppard's The Invention of Love
Orbis Litterarum, Volume 79, Issue 4, Page 336-349, August 2024.Abstract Tom Stoppard's The Invention of Love (1997) offers the audience a dream‐like voyage through the post‐mortem reminiscences of the central character, A. E. Housman. The attempt to resurrect Housman, as the historical figure in real life, is suspended by the intertextual incorporation of Housman's poems, the both fictive and enigmatically private
Huayu Yang, Bowen Wang
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Relación entre teatro e iconografía : el tema de Orestes y las Erinias
Espacio, Tiempo y Forma. Serie II, Historia Antigua, 2007 Este artículo examina cómo la iconografía de las Erinias castigando al matricida Orestes puede estar inspirada por la representación de la tragedia Euménides y cómo la concepción de las Erinias para la obra teatral puede haber surgido de modelos ...
Mercedes Aguirre
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Creativity in the Ancient Greek Philosophy: The Politics of Demiourgein
The Journal of Creative Behavior, Volume 58, Issue 2, Page 227-244, June 2024.ABSTRACT Where does creativity come from and what is its purpose? The paper revisits these ever‐turning questions to correct the prevalent but, arguably, inaccurate historical interpretation of creativity as a concept that emerged in modernity. First, I substantiate that a close study of the ancient Greek texts suggests that although creativity seems ...
Brokalaki Zafeirenia
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