Results 81 to 90 of about 25,714 (272)
AESCHYLUS’ PANDORA — HELEN IN THE AGAMEMNON
Akroterion, 2012 The myth of Pandora forges the identity of the Bad Wife, the Deathly Bride who brings calamity to the peaceful society of men. The construction of the first Woman who is also the first Bride and therefore the prototype for all Brides, contributes to the ...
A. Doyle
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The Feminine in Athenian Literature of Classical Period. Aeschylus’ Supplices: The Nightingale-Woman [PDF]
, 2016 Suplicantes de Esquilo pone en escena una coyuntura común a toda mujer ateniense de la época clásica: la transición de la niñez a la madurez a través del ritual del casamiento, un acontecimiento único en la vida femenina, que implica el pasaje abrupto ...
Fernández Deagustini, María del Pilar
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Pallas, 2019 Iphigenia in Tauris enables us to examine the original way in which Euripides uses the myth of the Atreids and the history of the family curse to develop philosophical and religious ideas.
Christine Amiech
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THE LIFE OF AESCHYLUS BIOGRAPHY: HISTORICAL BACKGROUND AND MYTH [PDF]
, 2022 Marina V. Ponikaroskaya +1 more
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Divine and demonic necessity in the Oresteia
Scripta Instituti Donneriani Aboensis, 1967 Aeschylus remains wholly within the context of the ancient religion. He forms his dramatical works with stern gravity and deep religiosity, so that a pervading piety is natural and there are no godless people. The archaic attitude of the poet appears not
Carl-Martin Edsman
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Theodore Antoniou: Celebration and Tribute, March 25, 2008 [PDF]
, 2008 This is the concert program of the Theodore Antoniou: Celebration and Tribute performance on Tuesday, March 25, 2008 at 4:00 p.m., at the Concert Hall, 855 Commonwealthe Avenue. Works performed were KOMMOS B for orchestra by Theodore Antoniou, Cantilena (
School of Music, Boston University
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Choral intertemporality in the Oresteia [PDF]
, 2013 One of the most salient aspects of the chorus in Greek tragedy is its mediation between the play and the audience. Schlegel's view of the chorus as ‘ideal spectator’ has recently been taken up and refined by Claude Calame, who argues that, besides ...
Grethlein, Jonas
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Rivalry in medicine and the wine business. [PDF]
Bone Marrow Transplant, 2021 McCann SR.
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Atossa’s Dream Yoking Music and Dance, Antiquity and Modernity in Maurice Emmanuel’s Salamine (1929) [PDF]
, 2012 This essay explores the conflicting trends of tradition and modernism, unity and independence in Parisian musical and dance culture in the late 1920s through an analysis of Maurice Emmanuel’s (1863-1938) aesthetics of contemporary and ancient Greek music
Samuel Dorf
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