Results 31 to 40 of about 3,059 (172)
Portable Prototypes: Canterbury Badges and the Thomasaltar in Hamburg
Arts, 2021 Pilgrims’ badges often depicted works of art located at a cult center, and these cheap, small images frequently imitated monumental works. Was this relationship ever reversed? In late medieval Hamburg, a painted altarpiece from a Hanseatic guild narrates
Jennifer Lee
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Renaissance QuarterlyThis article presents the first sustained study of Pietro Perugino's destroyed “Assumption of the Virgin” altarpiece commissioned by Pope Sixtus IV for the Sistine Chapel.
Shannon E. Kuziow
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, 2020 Goa Cathedral former altarpiece, attributed to Garcia Fernandes and made around 1538, is one of the oldest western pictorial works in India. It is a work of great importance in the establishment of the conquest of Goa by the Portuguese but also for ...
V. Antunes +5 more
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The Virgin in the Ghent Altarpiece and the Revelations of Saint Bridget of Sweden
De Medio Aevo, 2020 Why not see the law as a Roman tale analogically and imperialistically projected inside the study of “primitive” societies by anthropologists? This article’s main topic is firstly the capacity of law to be the science of its own rationales and practices,
A. L. La Delfa
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CeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2013 This essay explores whether early restorers responded to the cult status of Raphael’s paintings, since Vasari records that several of his religious works carried spiritual power.
Cathleen Hoeniger
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Criticón, 2023 This paper studies the Silva que hizo su autor estando fuera de la corte written by don Juan de Tassis, Count of Villamediana, as an emblematic altarpiece, composed under the inspiration of the pilgrim’s discourse of the Góngora’s Soledad primera (vv. 94-
Juan Matas Caballero
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Titian's Falconer: From Zorzone to Girolamo Cornaro
Renaissance Studies, EarlyView.ABSTRACT The identity of the sitter in Titian's Falconer and the issue of its dating have been subject to a false, yet very influential assumption: that The Falconer should be dated to a point as late as 1537 in order to connect it to the identity of Zorzone Cornaro (1517–1571), son of Girolamo (1485–1551).
Rachel Healy
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, 2020 The Keiskamma Art Project, based in Hamburg in the Eastern Cape, produced the Rose Altarpiece in 2005. A work modelled on the Virgin of the Rose Bower altarpiece in the Church of the Dominicans in Colmar, France, that features a panel made by Martin ...
B. Schmahmann
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The Incarnational Aesthetic of David Brown☆
International Journal of Systematic Theology, Volume 28, Issue 3, Page 267-285, July 2026.Abstract The notion of incarnation has historically been a prominent concept for the acceptance of images and the interpretation of art within Christianity. A contemporary proponent of this line of reasoning about the theological potential of art is David Brown, who builds his theology of culture on the doctrine of incarnation. This article presents an
Filip Taufer
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, 2020 The gilding and polychromy of the structural parts of altarpieces have largely been overlooked in art historical studies. However, these specific designs were important elements in the framing of the sculptural and painted content of the altarpiece ...
Kristin Kausland
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