Results 41 to 50 of about 3,059 (172)

Artificial Creativity and Human Fragility

Modern Theology, Volume 42, Issue 3, Page 543-558, July 2026.
Abstract This article critiques the widespread assumption that generative AI systems exhibit genuine artistic creativity. While such systems can produce novel and aesthetically appealing outputs, assessments based solely on results obscure fundamental differences between human and artificial agents.
Johanna Merz
wiley   +1 more source

Pélage : archéologie et utilisations de l’image d’un point de vue queer

Images Re-Vues, 2021
This article shows the use of the figure of Pelagius in three precise historical moments: the Middle Ages, in which the martyrdom of the saint is written; the 16th century, in which the images of the altarpiece of Saint Pelayo were created, coinciding ...
Javier Cuevas del Barrio
doaj   +1 more source

La standardisation comme garant du succès commercial ? Les albâtres anglais de la fin du Moyen Âge

Perspective, 2019
At the end of the Middle Ages, alabaster sculptors in the English Midlands produced large numbers of panels adorned with religious scenes. Although produced in many workshops, some geographically distant from each other, these panels all share a ...
Markus Schlicht
doaj   +1 more source

The Appreciation Game: A Monist Ontology of Works of Art

European Journal of Philosophy, Volume 34, Issue 2, Page 531-544, June 2026.
Abstract A pluralist ontology of art states that works of art can belong to distinct ontological categories whereas a monist ontology states that all works of art belong to one ontological category. A monist ontology would be preferable since it is more informative about the nature of art, and may pave the way for a definition of art.
Enrico Terrone
wiley   +1 more source

Les retables brabançons en Suède : dispersion, adaptation et réception

Perspective, 2019
Taking the extensive number of Brabantine altarpieces in Sweden into account, this article focuses on that region to reflect on the dissemination, adaptation, and reception of Brabantine retables in the North.
Hannah De Moor
doaj   +1 more source

Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration

Renaissance Studies, Volume 40, Issue 3, Page 489-506, June 2026.
Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley   +1 more source

A Burial of Saint Jerome from the Main Altarpiece of the Monastery of San Jerónimo de Valparaíso (Córdoba), a New Work of Alejo Fernández

Philostrato, 2023
In this article, it is presented an unpublished work by the painter Alejo Fernández, active in Córdoba and Seville between 1497 and 1545. It shows the Burial of St Jerome and, according to different evidences, it belonged to the main altarpiece of the ...
Alberto Velasco Gonzàlez
doaj   +1 more source

DE LA FACHADA AL RETABLO. UN RECORRIDO POR LOS TEMPLOS MURCIANOS DEL SIGLO XVIII

Imafronte, 1994
The portal and main altarpiece are the two great image-ornamented elements on the route taken by churchgoers as they go in through the main door and up to the high altar. Moreover, they are the areas which command greatest attention and, without entering
Concepción de la Peña Velasco, Elías Hernández Albadalejo   +1 more
doaj  

‘That Profession and Habit that None Other Be of Within this Realm’: The Battel Hall Retable, Visual Culture and Intersections of Community Identity in a Late Medieval English Convent

History, Volume 111, Issue 394, Page 30-53, January 2026.
Abstract The Battel Hall Retable – created around the late fourteenth to early fifteenth century and once belonging to the Dominican nuns of Dartford Priory – offers a rare glimpse into the visual lives of late medieval English nuns, inviting an insight into the intersections of communal identities for these women religious.
ELIZABETH GOODWIN
wiley   +1 more source

Unveiling the Lamentation of Christ by Rogier van der Weyden and his workshop: Discoveries made during a restoration treatment

Bulletin de l’Institut Royal du Patrimoine Artistique
The Lamentation of Christ (c. 1444-60) by Rogier van der Weyden and his workshop was recently conserved and restored at the Mauritshuis in The Hague (treatment 2016-21).
Carol Pottasch, Abbie Vandivere, Lieve d’Hont   +2 more
doaj   +1 more source