Results 51 to 60 of about 3,059 (172)
Sebastián de Benavente and the Franciscan Order
Anales de Historia del Arte, 2012 Sebastián de Benavente, altarpieces´ architect, worked continually for Franciscans, at least between the years 1653 and 1667. He made fundamental works of the order for convents in Madrid, Alcalá de Henares (San Diego chapel), Toledo and Valladolid.
Juan María Cruz Yábar
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Berichte zur Wissenschaftsgeschichte, Volume 48, Issue 3, Page 203-226, October 2025.How is historical evidence conveyed? How could an eighteenth‐century scholar vouch for the information stored on paper, drafted with the quill, and publicized in copperplate engravings or letterpress? In this article, I employ material and medial perspectives to reconstruct the multiple production stages of Johann Christoph Gatterer's Historia ...
André de Melo Araújo
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The Saint Barbara Altarpiece of Master Francke and its Birgittine Context
ICO Iconographisk Post, 2014 This article discusses the iconography of the Virgin Mary cycle on the corpus and the inner wings of the St Barbara altarpiece in the National Museum of Finland in Helsinki.
Kersti Markus
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Визуальная теологияPainted polyptych altarpieces appeared on high altars in late Duecento in the churches of mendicant orders. They were characterized by a special manner of organizing visual material by juxtaposing single half-figures with each other and arranging them in
Olga Nazarova / Ольга Алексеевна Назарова
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Archaeometry, Volume 67, Issue 4, Page 984-1000, August 2025.Abstract During the 15th and into the mid‐16th centuries, tin‐glazed terracotta sculptures were celebrated for their luminous colours, perceived durability, and technical ingenuity of the novel medium. Although in high demand, the supply of these pieces was restricted because of the secrecy of the recipes used by the pioneers of the technique on the ...
Zuzanna Sarnecka +8 more
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Renaissance Studies, Volume 39, Issue 2, Page 216-236, April 2025.Abstract This article discusses the relationship between women and their garments by examining written, visual, and material sources about dress drawn from the historical records of the Malatesta family. The objective of this research is to understand whether women of this House had any degree of autonomy regarding the garments that they chose to ‘self‐
Elisa Tosi Brandi
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An Unusual Patchy Alopecia in a 15th Century Altarpiece From Colmar, France
JEADV Clinical Practice, Volume 5, Issue 2, Page 690-691, June 2026.
Nicolas Kluger
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Titian's Bacchus and His Two Loves
Renaissance Studies, Volume 39, Issue 2, Page 237-266, April 2025.Abstract Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy‐satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed ...
Fern Luskin
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Bulletin du Centre de Recherche du Château de VersaillesThe high altar and Baroque altarpiece of the Church of Notre-Dame-de-Nazareth in Trets, recently restored, represent a major work by Christophe Veyrier (1637–89), collaborator of Pierre Puget.
Pierrick Rodriguez +4 more
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Establishing the Authorship of Two Wooden Icons From the Museikon Collection, Alba Iulia
Journal of Spectroscopy, Volume 2025, Issue 1, 2025.This study sought to obtain information regarding the authorship of two old wooden icons from the “Museikon” collection, a museum dedicated to icons located in the historical city of Alba Iulia. The stylistic and theological analyses indicated a possible author; to support this hypothesis, nondestructive physicochemical investigations were carried out,
Olivia Florena Nemeș +8 more
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