Results 71 to 80 of about 3,059 (172)
Hand deformities in Filippino Lippi’s Magrini Altarpiece (c. 1482)
Examination of the four saints in Filippino Lippi’s Magrini Altarpiece (c. 1482) shows that they all have hand deformities of various kinds. The two saints on the viewer’s left, St Rocco and St Sebastian, are portrayed as young, aristocratic men.
George M. Weisz +2 more
semanticscholar +1 more source
Among the thousands of works brought back to Paris by Napoleon’s troops, twenty-six were attributed to Perugino and almost all of them came from Perugia. The geography of the works was turned upside down.
Éloïse Dumas
doaj +1 more source
Milan Kresovic, J. Hardeberg
semanticscholar +1 more source
From Cult to Culture. The Orsanmichele Madonna Between Art and Devotion [PDF]
This paper constitutes an encompassing account of the Madonna of Orsanmichele in all its historical instances. As source of the first miracle ever recorded in the city-state of Florence, in 1292, the Orsanmichele Madonna generated a cult that lasted ...
Oana A. Stan
doaj
Patroni Regni Svecie – Sveriges rikes skyddspatroner
Patroni Regni Svecie – The Patron Saints of SwedenThis article presents the Swedish “national” patron saints – patroni regni svecie – as they emerged in liturgy and art from the latter part of the 14th century onwards.
Mereth Lindgren
doaj
Preserving European paintings in Asian environment. The case of Goa Cathedral former altarpiece.
How to preserve a set of paintings made with European materials and taken to South Asia in the 16 th century? A set of seven paintings belonging to the first altarpiece of Goa Cathedral now remain in its sacristy. Art history states that these paintings,
V. Antunes +8 more
semanticscholar +1 more source
La redécouverte du relief Le Christ au Jardin des Oliviers : une œuvre espagnole en Sarthe
Spanish polychrome wood carvings are relatively rare in French collections. Preserved for several decades in Champagné (Sarthe), the relief of Christ in the Garden of Olives remained unknown and neglected due to heavy soiling that obscured its details ...
Alexandra Buvignier
doaj +1 more source
To Cartagena de Indias: Route Map for a Sevillian Altarpiece Painted by Hernando de Esturmio (1550)
The discovery of an unpublished document in the Archive of Notarial Protocols in Seville reveals the commission of the first altarpiece painted for the early cathedral of Cartagena de Indias. The patron Jorge de Quintanilla appointed the carver Bartolomé
Elena Escuredo
doaj +1 more source

