Results 61 to 70 of about 3,059 (172)

Hugh Easton's Neo‐Baroque Art and the Stained‐Glass Closet in Postwar Britain*

open access: yesJournal of Religious History, Volume 48, Issue 4, Page 469-487, December 2024.
Hugh Ray Easton (1906–1965) was a leading mid‐twentieth century British designer of stained‐glass windows. His works combined neo‐baroque style with an aesthetic that was attuned to glamour in contemporary media such as film and homoerotic physique magazines.
Jane Brocket, Dominic Janes
wiley   +1 more source

Religious Affects and Female Subjects in the Altarpieces of the Finnish Artist Alexandra Frosterus-Såltin

open access: yesTemenos, 2020
Before the mid-nineteenth century there were few subjects in the altarpiece tradition of the Evangelical Lutheran Church of Finland in which the central figures accompanying Christ were female.
Ringa Takanen
doaj   +1 more source

‘De voluptate aurium’: The sounds of heaven in a 1501 sensory treatise on the afterlife

open access: yesRenaissance Studies, Volume 38, Issue 4, Page 595-629, September 2024.
Abstract In his De gloria et gaudiis beatorum, printed in 1501, the clergyman Zaccaria Lilio explores a popular topic in the religious life of Renaissance Italy: what is heaven like and what kind of experience awaits the blessed there? And his answer represents a snapshot of a characteristic manner in which heaven was imagined in the period, both in ...
Laura Ștefănescu
wiley   +1 more source

Partnership between painters and sculptors in 17th-century Spain: on model drawings by Francisco Rizi for an altarpiece of the Expectant Virgin

open access: yesRIHA Journal, 2013
This paper deals with a case study of the collaboration between sculptors and painters in the context of the construction of altarpieces in 17th-century Spain.
Lamas-Delgado, Eduardo
doaj  

The Seven Works of Mercy; a 16th century Dutch picture gallery of skin disease

open access: yes
Journal of the European Academy of Dermatology and Venereology, Volume 40, Issue 5, Page 736-738, May 2026.
Thomas M. van Gulik   +2 more
wiley   +1 more source

BRAZILIAN CULTURAL HERITAGE AND ITS POTENTIAL FOR PROVIDING TOURIST EXPERIENCES THROUGH INTERPRETATION [PDF]

open access: yesJournal of Spatial and Organizational Dynamics, 2019
This paper discusses how interpretation of an artwork can contribute to intensifying heritage tourism experiences, based on an examination of the altarpiece of the former convent of Santo António do Carmo of Olinda, which was designed to promote Catholic
Ariadne B. Pignaton   +2 more
doaj  

The Theological Horizon is a Political Horizon

open access: yes
Religious Studies Review, Volume 52, Issue 1, Page 14-16, March 2026.
Lexi Eikelboom
wiley   +1 more source

Contributions to the knowledge of Castilian sculpture in the middle years of the 16th century. Juan de Carranza I and the altarpiece of the church of St. Mary Major in Soria

open access: yesAnales de Historia del Arte, 2016
One of the most important sculptures of the Bishopric of Osma, in the middle years of the 16th century, is the altarpiece of the church of St. Mary Major in Soria.
Pedro Luis Echeverría Goñi   +1 more
doaj   +1 more source

Martín Alonso de Mesa y el retablo de la Real Universidad (1616-1618)

open access: yesIllapa
Este artículo desarrolla el proceso de construcción del retablo de la capilla de la Real Universidad de la Ciudad de los Reyes —actualmente, Universidad Nacional Mayor de San Marcos—, que fuera concertado con el escultor Martín Alonso de Mesa en 1616 ...
Marco Antonio Buitrón
doaj   +1 more source

The Ghent Altarpiece and the Legend of Saint Christopher

open access: yesActual Problems of Theory and History of Art, 2023
M. Rogov
semanticscholar   +1 more source

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