Results 11 to 20 of about 3,502 (136)
Arnaut Daniel, "Amors e iois e luecs e temps" (BdT 29.1) [PDF]
Lecturae Tropatorum, 2017 The basic intenet of this paper is that the song by Arnaut Daniel under discussion is an ironic and polemic, or perhaps a sarcastic and polemic hymn to the masochism of fin’amor of the hard and fast kind, the kind that involves impossible love leading to
Aniello Fratta
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Arnaut Daniel, “Sols sui qui sai lo sobrafan qe·m sortz” (BdT 29.18) [PDF]
Lecturae Tropatorum, 2011 With the poem “Sols soi qui sai” Arnaut turns to lyric poetry proper, moving away from the other two compositions in the ‘ferm voler’ cycle (BdT 29.17 and 14). While in these two the rhetorical and metrical element is dominant to the detriment of content,
Massimiliano De Conca
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2022 ACVIM Forum Research Abstract Program. [PDF]
J Vet Intern Med, 2022 Journal of Veterinary Internal Medicine, Volume 36, Issue 6, Page 2282-2454, November/December 2022.
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The Sestina of Arnaut Daniel in the Mirror of Philological Researchers and Critical Editions [PDF]
Studia Litterarum, 2022 The editions of Arnaut’s sestina and the history of its study reflect the general trend: both its editors and researchers endow trobadours’ lyrics with an elevated meaning.
Ludmilla V. Evdokimova
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Carte Romanze, 2021 Il contributo offre nuovi elementi riguardo alle quattro canzoni – attribuite a Cavalcanti, Dante, Cino, e Arnaut Daniel – citate in Lasso me, ch’i’ non so in qual parte pieghi (Rerum vulgarium fragmenta 70) di Petrarca.
Maria Clotilde Camboni
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Relief: Revue Électronique de Littérature Francaise, 2014 Starting out from a reading of Cristóbal de Castillejo's sixteenth-century sonnet referencing the medieval Occitan troubadours, "Garcilaso y Boscán, siendo llegados", this article reflects on cultural and temporal translations of medieval troubadour ...
Roy Rosenstein
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Balanço da voz e outras vozes: Augusto de Campos entre cantores e canções
Outra Travessia, 2023 “Augusto, bem mais jovem [do que Décio Pignatari e Haroldo de Campos], encantado, como seu pai, pela música, ouve boleros e sambas-canção e refunde o amor fidalgo dos medievais, percebendo a nova era das canções.» Assim aparece Augusto de Campos no ...
Eduardo Sterzi
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Il libro di Paolo e Francesca: amori veri e falsi nella Divina Commedia
Studia Paradyskie, 2023 For Dante and Christianity it is certainly not sex, nor adultery per se or promiscuity, which leads us to mortal sin capable of killing our soul, closing us in hell: and in this sense we can think of fundamental emblems, like the woman of Samaria, the ...
Marino Balducci
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La tradición musical de la sextina de Arnaut Daniel "Lo ferm voler qu'el cor m'intra" (BDT 29,14) : un artefacto lírico perfecto [PDF]
, 2012 Contribució al I Simposi Científic de l'IEM (Reial Acadèmia de Bones Lletres de Barcelona, 3 de juliol de ...
Rossell i Mayo, Antoni
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Tradurre i trovatori: un esempio poundiano. Arnaut Daniel," Chansson doil mot son plan e prim" [PDF]
Lecturae Tropatorum, 2018 This article focuses on Ezra Pound’s translations of Arnaut Daniel and aims to show the transformations in method and style which occur between the first prose exercises prepared for The Spirit of Romance (1910) and the most mature verse translations of ...
Roberta Capelli
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