Results 51 to 60 of about 286,291 (231)
Composers' Forum, January 29, 1985 [PDF]
, 1985 This is the concert program of the Composers' Forum performance on Tuesday, January 29, 1985 at 12:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Lullaby by Lance Hulme, Kammer Konzert, Op.
School of Music, Boston University
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Arnold Schoenberg e o paradoxo de sua Klavierstück Op. 33a
Musica TheoricaEste artigo explora a aparente e paradoxal contradição presente na Klavierstück Op. 33a de Arnold Schoenberg, na qual uma forma musical inerentemente típica do tonalismo clássico — a forma sonata — foi utilizada para organizar uma composição feita em ...
Marcus Bittencourt +1 more
doaj +1 more source
The Sound of the Unsayable: Jewish Secular Culture in Arnold Schönberg and Aharon Appelfeld
Religions, 2019 This article examines the use of central elements of the Jewish religious repertoire and transcendental realm, such as prophecy or revelation, within the aesthetic secular realm of musical avant-garde and modern Hebrew literature. By focusing on two case
Michal Ben-Horin
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Faculty concert: "Dreams, Delirium and Transcendence In the Music of our Time," January 30, 1998 [PDF]
, 1998 This is the concert program of the Faculty Concert: "Dreams, Delirium and Transcendence In the Music of our Time" performance on Friday, January 30, 1998 at 8:00 p.m., at the Tsai Performanc Center, 685 Commonwealth Avenue.
School of Music, Boston University
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Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley +1 more source
Xanthos Ensemble, November 20, 2010 [PDF]
, 2010 This is the concert program of the Xanthos Ensemble performance on Saturday, November 20, 2010 at 4:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Thank You to Our 2023 Peer Reviewers
Geophysical Research Letters, Volume 51, Issue 9, 16 May 2024.Abstract On behalf of the journal, AGU, and the scientific community, the editors of Geophysical Research Letters would like to sincerely thank those who reviewed manuscripts for us in 2023. The hours reading and commenting on manuscripts not only improve the manuscripts, but also increase the scientific rigor of future research in the field.
Harihar Rajaram +32 more
wiley +1 more source
Hans Eisler: Companheiro musical de Brecht
Pandaemonium Germanicum: Revista de Estudos Germanísticos, 2000 Dieser Artikel porträtiert den Komponisten Hanns Eisler, dessen Musik zahlreiche Stücke von Bertolt Brecht begleitet, anhand von Äußerungen von Eisler selbst sowie von Arnold Schoenberg und Bertold Brecht. Eisler, der ein neues politisches Bewusstsein in
Willy Corrêa de Oliveira
doaj
Beyond the Beethoven Model: Sentence Types and Limits
Current Musicology, 2004 It is quite likely that no other form in the history of Western music theory has been so strongly associated with a single musical example as the sentence.
Matthew Bailey Shea
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Soloists of ALEA III, December 12, 1989 [PDF]
, 1989 This is the concert program of Soloists of ALEA III performance on Tuesday, December 12, 1989 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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