Results 51 to 60 of about 13,452 (225)

Arnold Schoenberg e o paradoxo de sua Klavierstück Op. 33a

open access: yesMusica Theorica
Este artigo explora a aparente e paradoxal contradição presente na Klavierstück Op. 33a de Arnold Schoenberg, na qual uma forma musical inerentemente típica do tonalismo clássico — a forma sonata — foi utilizada para organizar uma composição feita em ...
Marcus Bittencourt   +1 more
doaj   +1 more source

The Sound of the Unsayable: Jewish Secular Culture in Arnold Schönberg and Aharon Appelfeld

open access: yesReligions, 2019
This article examines the use of central elements of the Jewish religious repertoire and transcendental realm, such as prophecy or revelation, within the aesthetic secular realm of musical avant-garde and modern Hebrew literature. By focusing on two case
Michal Ben-Horin
doaj   +1 more source

Composers' Forum, January 29, 1985 [PDF]

open access: yes, 1985
This is the concert program of the Composers' Forum performance on Tuesday, January 29, 1985 at 12:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Lullaby by Lance Hulme, Kammer Konzert, Op.
School of Music, Boston University
core  

The Origin of the Dominant: Schoenberg's ‘Strong Progression’ and the Realisation of Implied Virtual Pitches

open access: yesMusic Analysis, Volume 43, Issue 2, Page 247-301, July 2024.
ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley   +1 more source

Boston University Symphony Orchestra and Symphonic Chorus, April 7, 2003 [PDF]

open access: yes, 2003
This is the concert program of the Boston University Symphony Orchestra and Symphonic Chorus performance on Monday, April 7, 2003 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue. Works performed were "Variationen für Orchester," Op. 31 by Arnold
School of Music, Boston University
core  

Thank You to Our 2023 Peer Reviewers

open access: yesGeophysical Research Letters, Volume 51, Issue 9, 16 May 2024.
Abstract On behalf of the journal, AGU, and the scientific community, the editors of Geophysical Research Letters would like to sincerely thank those who reviewed manuscripts for us in 2023. The hours reading and commenting on manuscripts not only improve the manuscripts, but also increase the scientific rigor of future research in the field.
Harihar Rajaram   +32 more
wiley   +1 more source

Hans Eisler: Companheiro musical de Brecht

open access: yesPandaemonium Germanicum: Revista de Estudos Germanísticos, 2000
Dieser Artikel porträtiert den Komponisten Hanns Eisler, dessen Musik zahlreiche Stücke von Bertolt Brecht begleitet, anhand von Äußerungen von Eisler selbst sowie von Arnold Schoenberg und Bertold Brecht. Eisler, der ein neues politisches Bewusstsein in
Willy Corrêa de Oliveira
doaj  

Beyond the Beethoven Model: Sentence Types and Limits

open access: yesCurrent Musicology, 2004
It is quite likely that no other form in the history of Western music theory has been so strongly associated with a single musical example as the sentence.
Matthew Bailey Shea
doaj   +1 more source

What is (quantitative) system dynamics modeling? Defining characteristics and the opportunities they create

open access: yesSystem Dynamics Review, Volume 40, Issue 2, April/June 2024.
Abstract A clear definition of system dynamics modeling can provide shared understanding and clarify the impact of the field. We introduce a set of characteristics that define quantitative system dynamics, selected to capture core philosophy, describe theoretical and practical principles, and apply to historical work but be flexible enough to remain ...
Asmeret Naugle   +2 more
wiley   +1 more source

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