Results 71 to 80 of about 286,291 (231)

To imitate all that is hidden. The place of mimesis in Adorno’s theory of musical performance

Aisthesis, 2017
The article examines the use of the concept of mimesis in Adorno’s notes towards a theory of musical performance. In trying to idiosyncratically define the latter as “reproduction”, Adorno relied on a framework elaborating on concepts introduced by ...
Alessandro Cecchi
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The Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)

Musicologica Austriaca, 2021
Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings) were concert series of the Hrvatski glazbeni zavod (Croatian Music Institute) in Zagreb, organized by the institute's secretary, art historian, and music amateur ...
Nada Bezić
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A surrogate for the soul: Wittgenstein and Schoenberg [PDF]

, 2011
This article challenges a widespread assumption, arguing that Wittgenstein and the Austrian composer Arnold Schoenberg had little in common beyond their shared cultural heritage, overlapping social circles in fin-de-ciecle Vienna.
Guter, Eran
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Boston University Symphony Orchestra, March 27, 1989 [PDF]

, 1989
This is the concert program of the Boston University Symphony Orchestra performance on Monday, March 27, 1989 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were A Survivor from Warsaw, Op. 46 by Arnold Schoenberg,
School of Music, Boston University
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Gradus ad Parnassum: International Online Training for Microtonal Singing with 22 Pitches within the Octave

Journal of Ethnology and Folkloristics
In the musical cultures of the world, including the oral traditions of European peoples, a wide variety of musical scales have been and still are used.
Lock Hans-Gunter
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Graduate recital by Eleanor Carlson, piano, February 15, 1965 [PDF]

, 1965
This is the concert program of the Graduate Recital by Eleanor Carlson, piano on Monday, February 15, 1965 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Suite, Op. 25 by Arnold Schoenberg, Davidsbündler, Op. 6 by Robert
School of Music, Boston University
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Guest Artist Recital: Wolfgang David, violin, David Gompper, piano, September 25, 2007 [PDF]

, 2007
This is the concert program of the Guest Artist Recital: Wolfgang David, violin, David Gompper, piano performance on Tuesday, September 25, 2007 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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John Daverio, violin and Martin Amlin, piano, January 25, 1985 [PDF]

, 1985
This is the concert program of the John Daverio, violin and Martin Amlin, piano performance on Friday, January 25, 1985 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Sonata in A major, Op.
School of Music, Boston University
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Faculty recital: George Neikrug and Martin Amlin, March 15, 1995 [PDF]

, 1995
This is the concert program of the Faculty recital: George Neikrug and Martin Amlin performance on Wednesday, March 15, 1995 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Variação em desenvolvimento na construção do tema principal da Sonata para Piano Op.1, de Alban Berg

Opus, 2010
This paper aims at initiating an investigation on the process of developing variation employed by Alban Berg in the composition of his Piano Sonata Op. 1.
Carlos de Lemos Almada
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