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“The World, More or Less” by Jean Rouaud: between novel and autofiction

RUDN Journal of Studies in Literature and Journalism, 2019
This article discusses theoretical approaches to autofiction - a new form of self-writing which spread in French literature from the 80s. The analysis of the autofictional device implemented in the novel “The World, More or Less” by Jean Rouaud produces ...
Gérard Siary, Yulia Anatolievna Kosova
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Autofiction and Docufiction as Proposals of Meaning. Cultural Reasons for a Non-Univocal Representation

Castilla: Estudios de Literatura, 2014
This paper focuses on the cultural reasons for a new and non-univocal representation of past and present events. Many scholars have censured the value of autofiction and docufiction in contemporary novel, and have denied their potential as tools for ...
José Martínez Rubio
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Story Telling: Writing the Body to Recall Life in Kanehara Hitomi’s Autofiction and Charlotte Roche’s Wrecked

European Journal of Life Writing, 2022
In their way of living obsessions and traumas, the protagonists of Autofiction and Wrecked embody the conscious or unconscious search for a solution: Writing serves as the medium to tell a story as well as a means of re-entry into life.
Flora Roussel
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the philosophical dimensions of Autofiction in the visual arts in the light of the 13th International Cairo Biennale works

Journal of Architecture, Art & Humanistic Science, 2021
The philosophical dimensions of Autofiction in the visual arts in the light of the 13th International Cairo Biennale worksThe emergence of autofiction by Serge Dubrovsky in 1977 was a counter reaction to the claims of the author's death and the ...
Hala Emara
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L’autofiction, un genre performatif

Symbolon, 2021
Autofiction, a Performative Genre The purpose of this paper is to comment on the emergence of autofiction genre and its meaning. Beginning with a comparative analysis of this genre and the autobiographical one we will show the lack a stability of its ...
Eugénie Péron-Douté
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Yvonne Delhey, Rolf Parr and Kerstin Wilhelms (eds.), Autofiktion als Utopie // Autofiction as Utopia

European Journal of Life Writing, 2021
This volume, emerging from a conference, brings into conversation research on the two title-words autofiction and utopia. It focuses on what the introduction defines as the point of convergence of these genres or writing modes: the desire to shape ...
Alexandra Effe
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Autofikcja

Autobiografia, 2020
The main aim of this text was attempt to create a definition for comprehension “autofiction”. Those artistic strategies were revealed as a way of connecting fiction with sphere of intimate experiences.
AGNIESZKA CZYŻAK
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Sulla mancata equazione tra autore e personaggio

CoSMO, 2022
The autofiction is often defined as a false biography. However, considering how the authors today are used to mediatize their selves, trying to make themselves look like their own character, we can think of autofiction as a true biography of a fictional
Giacomo De Fusco
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Autofiction and its fantastic modalities in César Aira’s Cómo me hice monja

Alambique, 2020
As a narrative practice in which the author invents a personality and an existence while preserving his personal identity and true name, ‘autofiction’ constitutes a suitable instrument to give rise to ‘the fantastic’. By fusing the narrative pacts of the
Erwin Snauwaert
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Georges Perec’s Novel “W, Ou Le Souvenir D’enfance” as Autofiction

Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki, 2020
This article attempts to define the complex relationship of truth and fiction in the autobiographical context of Georges Perec’s novel W, or the Memory of Childhood (1975).
Vladislav V. Kirichenko
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