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, 2023 Autofiction is a literary genre that combines the traditional genres of fiction and autobiography. The three autofictional texts in this section stem from a class on “Autofiction,” taught by Lujain Youssef in the summer term 2022, which engaged with the genre and encouraged students to produce their own creative writing.
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2022
Abstract Since the term autofiction was coined by Serge Doubrovsky in the 1970s, a key scholarly debate has been whether autofiction is a genre in its own right, a subvariant of autobiography, or whether it is better approached along lines other than generic.
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Abstract Since the term autofiction was coined by Serge Doubrovsky in the 1970s, a key scholarly debate has been whether autofiction is a genre in its own right, a subvariant of autobiography, or whether it is better approached along lines other than generic.
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2021
Autofiction: A Female Francophone Aesthetic of Exile explores the multiple aspects of exile, displacement, mobility, and identity as expressed in contemporary autofictional work written in French by women writers from across the francophone world.
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Autofiction: A Female Francophone Aesthetic of Exile explores the multiple aspects of exile, displacement, mobility, and identity as expressed in contemporary autofictional work written in French by women writers from across the francophone world.
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Modernism/modernity, 2022
This article troubles the longstanding rhyme between nineteenth-century Paris, flânerie, and modernity. It constructs a wider genealogy of flânerie in the late nineteenth and early twentieth centuries, beginning with two figures who sauntered through the streets of Tehran: the fokoli and the farangimaab.
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This article troubles the longstanding rhyme between nineteenth-century Paris, flânerie, and modernity. It constructs a wider genealogy of flânerie in the late nineteenth and early twentieth centuries, beginning with two figures who sauntered through the streets of Tehran: the fokoli and the farangimaab.
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Rethinking Autofiction as a Global Practice: Trajectories of Anglophone Criticism from 2000 to 2020
A/b: Auto/biography StudiesThe article traces how understandings of the concept of autofiction have developed between 2000 and 2020. It observes a broader, and more global, understanding of autofiction as well as an other-, reality-directed and ethical turn.
Lawlor, Hannie, Effe, Alexandra
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Authenticity, authorship, and autofiction : an autofictional reading of Elena Ferrante
The autotheoretical practice of "life-thinking" provides rich spaces for considering when, how, and if the personal can be theoretical. Autofiction, however, complicates these questions even further. Italian novelist Elena Ferrante, who publishes under a pseudonym, calls into question nearly every facet of authorship, as she reveals that her charactersopenaire +2 more sources
Uncovering the Unwritten: A Paratextual Analysis of Autofiction
Life Writing, 2022Allira Hanczakowski
exaly