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Introduction: Autofiction

2023
Autofiction is a literary genre that combines the traditional genres of fiction and autobiography. The three autofictional texts in this section stem from a class on “Autofiction,” taught by Lujain Youssef in the summer term 2022, which engaged with the genre and encouraged students to produce their own creative writing.
Alkhatib, Eiman   +2 more
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Global Autofictional Flânerie

Modernism/modernity, 2022
This article troubles the longstanding rhyme between nineteenth-century Paris, flânerie, and modernity. It constructs a wider genealogy of flânerie in the late nineteenth and early twentieth centuries, beginning with two figures who sauntered through the streets of Tehran: the fokoli and the farangimaab.
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Authenticity, authorship, and autofiction : an autofictional reading of Elena Ferrante

The autotheoretical practice of "life-thinking" provides rich spaces for considering when, how, and if the personal can be theoretical. Autofiction, however, complicates these questions even further. Italian novelist Elena Ferrante, who publishes under a pseudonym, calls into question nearly every facet of authorship, as she reveals that her characters
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Avatars as the Raison d’Être of Autofiction

Life Writing, 2022
Arnaud Schmitt
exaly  

The filmmaker’s presence in French contemporary autofiction: from filmeur/filmeuse to acteur/actrice

New Review of Film and Television Studies, 2021
Lourdes Monterrubio Ibáñez
exaly  

Metanarrative Autofiction: Critical Engagement with Cultural Narrative Models

Palgrave Studies in Life Writing, 2022
Hanna Meretoja
exaly  

Theatres of Autofiction

This Element is the first monograph to focus on the presence and popularity of autofiction in contemporary theatre, a mode characterised by its mixture of autobiographical and fictional materials and generally associated with the cutting edge of literary fiction.
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History of Autofiction

Mapping the largely neglected history of autofictional literature, and describing developments against socio-historical changes, cultural trends, and philosophical-psychological discussions around self and mind, this book both explores and historicizes autofiction’s contemporary boom. Beginning with the genre’s emergence in 18th-century England against
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