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Global Autofictional Flânerie

Modernism/modernity, 2022
This article troubles the longstanding rhyme between nineteenth-century Paris, flânerie, and modernity. It constructs a wider genealogy of flânerie in the late nineteenth and early twentieth centuries, beginning with two figures who sauntered through the streets of Tehran: the fokoli and the farangimaab.
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Transgressing the Real and the Fictional in Fatima Mernissi's Autofiction. Dreams of Trespass: Tales of a Harem Girlhood

Expressions maghrébines
:Dreams of Trespass: Tales of a Harem Girlhood (1994) by Fatima Mernissi blends childhood memories (1944–1949) with Morocco's nationalist movement and path to independence. The narrative intertwines personal anecdotes with historical shifts, illustrating
Valérie K. Orlando
semanticscholar   +1 more source

AUTOFICTIONAL VARIABLES: A MODEL TO IDENTIFY CULTURAL DYNAMIC IN AUTOFICTION

Gumanitarnye vedomosti TGPU im L N Tolstogo
In recent decades autofiction has become one of the most discussed phenomena in contemporary literature and culture in general. The aim of this scientific article is to trace the historical development of autofiction as a literary and socio-cultural phenomenon, and to formulate a new model for its analysis through autofictional variables.
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Authenticity, authorship, and autofiction : an autofictional reading of Elena Ferrante

The autotheoretical practice of "life-thinking" provides rich spaces for considering when, how, and if the personal can be theoretical. Autofiction, however, complicates these questions even further. Italian novelist Elena Ferrante, who publishes under a pseudonym, calls into question nearly every facet of authorship, as she reveals that her characters
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Avatars as the Raison d’Être of Autofiction

Life Writing, 2022
Arnaud Schmitt
exaly  

The filmmaker’s presence in French contemporary autofiction: from filmeur/filmeuse to acteur/actrice

New Review of Film and Television Studies, 2021
Lourdes Monterrubio Ibanez
exaly  

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