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This Element is the first monograph to focus on the presence and popularity of autofiction in contemporary theatre, a mode characterised by its mixture of autobiographical and fictional materials and generally associated with the cutting edge of literary fiction.
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Authenticity, authorship, and autofiction : an autofictional reading of Elena Ferrante
The autotheoretical practice of "life-thinking" provides rich spaces for considering when, how, and if the personal can be theoretical. Autofiction, however, complicates these questions even further. Italian novelist Elena Ferrante, who publishes under a pseudonym, calls into question nearly every facet of authorship, as she reveals that her charactersopenaire +2 more sources
Mapping the largely neglected history of autofictional literature, and describing developments against socio-historical changes, cultural trends, and philosophical-psychological discussions around self and mind, this book both explores and historicizes autofiction’s contemporary boom. Beginning with the genre’s emergence in 18th-century England against
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