Results 61 to 70 of about 171,735 (316)
The Use of Seneca’s Texts in Antonii Radyvylovskyi’s Sermons [PDF]
, 2018 In this paper, through the example of Antonii Radyvylovskyi’s work, I examine the impact of Seneca’s texts on the philosophical component of Ukrainian church sermons from the Baroque period.
Spivak, Volodymyr
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Écrire le Baroque, écrire baroque
Acta Fabula, 2001 Cet article est un compte-rendu du livre : Pelegrin, Benito, Figurations de l'infini. L'Âge Baroque européen, Paris, Le Seuil, 2000.
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JAPAN ARCHITECTURAL REVIEW, Volume 9, Issue 1, January–December 2026.ABSTRACT In the 17th‐century Louvre expansion project, many architects used free‐standing columns, domes and large pediments for its east elevation. These elements helped give the elevation, over 150 m wide, the monumentality the court wanted, while also providing the appropriate articulation. Bernini was probably the only architect who did not use any
Taro Endo
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, 2016 To facilitate computer analysis of visual art, in the form of paintings, we introduce Pandora (Paintings Dataset for Recognizing the Art movement) database, a collection of digitized paintings labelled with respect to the artistic movement.
Boia, Raluca +5 more
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British Latinx Authors in Conversation: Writing Ourselves Visible
Bulletin of Latin American Research, Volume 45, Issue 1, January 2026.Abstract This interview continued a conversation initiated at the panel ‘British Latin American Literature: Writing Ourselves Visible’, held at the 2024 Literary Leicester Festival (University of Leicester, UK), organised and chaired by Dr Emma Staniland (ES), at which Argentine‐British poet Leo Boix (LB), Peruvian‐British author of novels and short ...
Emma Staniland
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Studia Anglica Posnaniensia, 2015 The study is a close reading of Moore’s poem “The Fish” (1918) through the conceptual lens of Gilles Deleuze’s trope of the fold, as explained in his influential 1988 study of Leibniz, The Fold: Leibniz and the Baroque. The purpose is to explore Moore’s (
Ambroży Paulina
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Early Music Series: Carol Lieberman, baroque violin, Daniel Stepner, baroque violin, Laura Jeppesen, viola da gamba, and Mark Kroll, harpsichord, April 4, 1986 [PDF]
, 1986 This is the concert program of the Early Music Series: Carol Lieberman, baroque violin, Daniel Stepner, baroque violin, Laura Jeppesen, viola da gamba, and Mark Kroll, harpsichord performance on Friday, April 4, 1986 at 8:00 p.m., at the Concert Hall ...
School of Music, Boston University
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Curator: The Museum Journal, Volume 69, Issue 1, Page 19-29, January 2026.ABSTRACT In recent years, there has been a growing interest in the curation of reggaeton as museums working with Latinx Caribbean culture across the United States are making efforts to include the popular music genre in their exhibition programming. This paper draws on interviews with museum and exhibition curators at the Grammy Museum (Los Angeles ...
Lauren Chalk
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SHORT FICTION BY LUIS SEPULVEDA: NEO-BAROQUE TENDENCIES
Sovremennye Issledovaniâ Socialʹnyh Problem, 2019 Purpose. The work deals with short prose by Luis Sepulveda as an example of neo-baroque literature. The main purpose of the work is topic establishment of neo-baroque strategies in the short stories by L. Sepulveda.
Larisa Georgievna Khoreva
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The Drottningholm Trio, October 6, 1995 [PDF]
, 1995 This is the concert program of the The Drottningholm Trio performance on Friday, October 6, 1995 at 8:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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