Results 61 to 70 of about 14,763 (236)
Third‐order self‐embedded vocal motifs in wild orangutans, and the selective evolution of recursion
Annals of the New York Academy of Sciences, Volume 1549, Issue 1, Page 219-229, July 2025.Recursion, a core feature of language, was long considered unique to humans. We investigate rhythmic recursion in great ape vocalizations, analyzing Sumatran orangutan alarm calls and uncovering third‐order self‐embedded isochrony, with each level exhibiting unique variation dynamics and information content relative to context.
Chiara De Gregorio +2 more
wiley +1 more source
“The works themselves refute geographical separatism”: Exhibiting the Baroque in Cold War Britain [PDF]
Journal of Art Historiography, 2016 This article examines the collaborative exhibition Baroque in Bohemia (1969) to analyse the significance of the baroque style in Cold War cultural diplomacy between Britain and Czechoslovakia.
Verity Clarkson
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Baroque sentence geometry in the play Nevinost ili Svetislav i Mileva (1827) (Innocence or Svetislav and Mileva) by Jovan Sterija Popović [PDF]
Baština, 2019 A syntactic organization in the play Nevinost Ili Svetislav i Mileva (1827) (Innocence or Svetislav and Mileva) by Jovan Sterija Popović is far away from the present day holders of the standard Serbian language.
Mihajlović Milica M.
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Journal of the Society of Architectural Historians, 2015 Since the nineteenth century, historians and theoreticians of architecture have tended to examine the baroque in those moments when the relationship between the production of architecture and its historical analysis, between doing architecture and doing history, has been open to contention.1 Generation after generation, scholars have been prompted to ...
openaire +3 more sources
Becoming Space in Every Direction: Birdman as Post-cinematic Baroque
Cinéma & Cie, 2016 While the post-cinematic is typically understood as the passing of film-as-celluloid, the digital expressivity of film need not involve the loss of materiality.
Saige Walton
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Cykl emblematyczny Peristromata regum Andrzeja Maksymiliana Fredry. Wstępne rozpoznania
Meluzyna: dawna literatura i kultura, 2017 The collection of the political and moral emblem works by Andrzej Maksymilian Fredro, Peristromata regum, included in the reflections “Scriptorum seu togae et belli notationum fragmenta” (1660), was regarded by Janusz Pelc as the most interesting ...
Anna Kołos
doaj +1 more source
Barroco y modernidad: De Maravall a Lezama Lima
Orbis Tertius, 2008 During the '60s and '70s, various lines of discussion around Baroque that had started at the beginning of the 20th century converge. Both in Europe and in America, and from different disciplines -philology, literary essay, rhetoric, history, philosophy ...
Edgardo Dobry
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Orbis Tertius, 2011 Contemporary Baroque is a category with vague limits. In order to delimit it, two approaches have been proposed. On the one hand, it is stated that Baroque returns since 1900; on the other, that it constitutes a long narrative, dating back to 1600 and ...
Ignacio Iriarte
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Вестник музыкальной науки, 2018 В статье на основе исторических источников освещаются пути и формы проникновения в инструментально-исполнительскую сферу Красноярья музыкального языка Барокко, составляющего важнейшую ветвь общеевропейского академического искусства.
Царева, Евгения Сергеевна
doaj +1 more source
Der Eherne Reiter: Politischer Barock und russische Revolution zwischen Puškin, Belyj und Benjamin
Genealogy+Critique, 2016 The essay links the symbolic spaces of the Russian imperial capital St. Petersburg, canonized by the literary tradition known as the "Petersburg text of Russian literature", to the semantics of historical catastrophe explored by Walter Benjamin in his ...
Kirill Ospovat
doaj +2 more sources