Results 61 to 70 of about 39,702 (267)

Remarques sur la genèse et les utilisations de la notion de « baroque » en Allemagne

Les Dossiers du GRIHL, 2012
La contribution retrace l’évolution des significations attribuées à la notion de « baroque » dans le domaine de la recherche allemande depuis ses premières utilisations esthétiques dans l’histoire de l’art au xixe siècle chez Jacob Burckhardt et Heinrich
Hartmut Stenzel
doaj   +1 more source

Daylight, Shape, and Cross-Cultural Influences Through the Routes of Discoveries: The Case of Baroque Temples

, 2018
Baroque temples were developed in the context of cross-cultural influences through new territories where the climatic conditions were often opposed to those prevailing in Europe. The nature of weather differences could not be predicted with the knowledge
Joseph-Maria Cabeza-Lainez, José-Manuel Almodóvar-Melendo   +1 more
semanticscholar   +1 more source

Representing Reggaeton in the Museum: Affect, Industry and the Cautious Curation of Popular Music Heritage

Curator: The Museum Journal, Volume 69, Issue 1, Page 19-29, January 2026.
ABSTRACT In recent years, there has been a growing interest in the curation of reggaeton as museums working with Latinx Caribbean culture across the United States are making efforts to include the popular music genre in their exhibition programming. This paper draws on interviews with museum and exhibition curators at the Grammy Museum (Los Angeles ...
Lauren Chalk
wiley   +1 more source

The beauty of the act – Figuring film and the delirious baroque in HOLY MOTORS

NECSUS, 2014
Leos Carax’s metamorphic Holy Motors (2012) has been received as evading conceptual, physical, and cinematic coherence. Drawing on Gilles Deleuze’s concept of the fold and Nicole Brenez’s work on the figural powers of the cinema, this article argues that
Saige Walton
doaj   +1 more source

PERIPHERY TO CENTRE STAGE: THE SARRASANI CIRCUS IN WEIMAR GERMANY

German Life and Letters, Volume 79, Issue 1, Page 16-36, January 2026.
ABSTRACT The modern European circus was more than just entertainment: it was a powerful platform where fantasies of empire, ideas of national identity, and notions of racial difference came together and were put on public display. In interwar Germany, the Sarrasani Circus — the largest circus enterprise in the country at the time — built on the legacy ...
Sabine Hanke
wiley   +1 more source

Preposterous baroque: body and temporality in Néstor Perlongher and Severo Sarduy

Estudios de Teoría Literaria, 2015
This article examines how the baroque is theorized in texts written by Néstor Perlongher and Severo Sarduy during the global HIV crisis. I propose that by taking illness as a starting point, these writers develop the notion of the baroque as resistance ...
Cristel M. Jusino Diaz
doaj  

Almodóvar’s Baroque Transitions in the Early Films (1980–1995)

Humanities
Spanish film director Pedro Almodóvar has been detected early on by film critics as a Baroque filmmaker, a qualification to which he has agreed in interviews.
Frederic Conrod
doaj   +1 more source

Exhibitions on the Baroque as media of the construction of Austrian identities in the 20th century [PDF]

Journal of Art Historiography, 2016
This essay deals with the construction of national identity in Austria through museum presentations and exhibitions of Baroque art between 1900 and 1960. The approach understands museums and exhibitions as ‘media’ providing visual expression of a variety
Andreas Nierhaus
doaj  

Baroque Sherlock: Benjamin’s friendship between «criminal and detective» in its fore- and afterlife

Aisthesis, 2017
The starting point of this paper is a statement that Benjamin makes in a group of notes he writes for his project of a detective novel (1933). Benjamin writes here that «criminal and detective could be so friends [so befreundet sein] as Sherlock Holmes ...
Alice Barale
doaj   +1 more source