Results 1 to 10 of about 880 (125)
Sabina Guzzanti come "star-director" di documentari e docufiction [PDF]
Schermi, 2019 The essay illustrates the various strategies that have been put in place by Sabina Guzzanti in her documentaries and docufictions in order to raise herself to the status of a star-director.
Cristina Formenti
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Le docufiction entre création originale et documentaire
Revue Française des Sciences de l’Information et de la Communication, 2018 Responding to the public’s expectations and following the 1999 BBC English Channel success of Walking With Dinosaurs watched by six millions of viewers, a new genre emerged in the 2000s on the French television : the docufiction.
Lise Henric
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Revue de Primatologie, 2013 The evolution of the human lineage is a strong theme of French programs in Life sciences at the college and high school. It is also at the heart of television fictional documentary reporting a narrative scenography.
Yannick Rech, Eric Triquet
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Images, 2018 This close-reading analysis and interpretation examines the original form of Woody Allen’s masterpiece Zelig (1983). The author combines a film studies approach with an investigation of epistemological and semiotic reflections on moving images.
Marek Hendrykowski
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ROBERT FLAHERTY: LOUISIANA STORY AND DOCUFICTION
REVISTA FOCOThe present work intends to analyze the documentary from the point of view of the historiography of cinema, with a reference that takes into account the legacy of the Dialectical Program, above all the contributions of André Bazin, one of the main theorists of realism in cinema.
Andressa Deflon Rickli
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Documentary fiction: A comparative analysis of directorial approaches in Želimir Žilnik's 'Brooklyn-Gusinje' and Abbas Kiarostami's 'Close-Up' [PDF]
Zbornik Radova Akademije UmetnostiThis paper conducts a comparative analysis of two films by internationally renowned directors made within just a few years of each other - Brooklyn-Gusinje by Serbian filmmaker Želimir Žilnik and Close-Up by Iranian director Abbas Kiarostami.
Šabotić Sead
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Dispositifs de feintise dans le docufiction radiophonique [PDF]
Questions de communication, 2013 Tres tot, la radio s’est imposee comme le media du direct : il etait enfin possible de rendre compte du monde sans attendre que chauffent les rotatives. Des emissions comme Maremoto (Cusy, Germinet, 1924) ou La Guerre des mondes (Welles, 1938), fictions entendues comme des elements de realite, ont affole les auditeurs et montre le pouvoir de conviction
Christophe Deleu
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ArtsThis study scrutinizes the active role of mobile urban spaces in shaping and generating social space. It explores the depiction of car spaces in two Iranian films in their cinematic narratives, symbolic meanings, and influence on the perceptions of urban
Nasim Naghavi
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Trafficking in Human Beings: Made and Cut to Measure? Anti-trafficking Docufictions and the Production of Anti-trafficking Truths [PDF]
Cultural Sociology, 2018 This article responds to Gozdziak’s (2015: 30) call to explore how the knowledge that informs public debates about human trafficking is generated. Media imagery and narratives play a significant role in constructing both knowledge and ignorance. This article reflects on the construction of such knowledge by analysing how anti-trafficking docufiction ...
Sharapov, Kiril, Mendel, Jonathan
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Castilla: Estudios de Literatura, 2014 This paper focuses on the cultural reasons for a new and non-univocal representation of past and present events. Many scholars have censured the value of autofiction and docufiction in contemporary novel, and have denied their potential as tools for ...
José Martínez Rubio
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