Results 21 to 30 of about 2,504 (255)
Записки з романо-германської філології, 2016 The article deals with genre peculiarities of dramatic works and their translation characteristic aspects. On the basis of comparative analysis the author investigates the problem of lexico-semantic transformations application in translation process of ...
С. А. Остапенко
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Manipulizm a pierwsze pełne tłumaczenie „Dziadów” na język angielski
Między Oryginałem a Przekładem, 2019 Manipulism and the First Complete Verse Translation of “Dziady” into English How did the translator cope with the task of translating into English the national poetic drama series which, together with Pan Tadeusz and Wesele, is considered to be one of ...
Agata Brajerska-Mazur
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“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or” [PDF]
Литературный факт, 2019 The message about unfulfilled translation of Paul Claudel’s drama “Tête d’or” by Marina Tsvetaeva appeared at the beginning of January 1921 in the socalled debate on “alterations” in the journal “Bulletin of the theatre”, published by the Theatre ...
Olga Shalygina
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Explicitation across literary genres: Evidence of a strategic device?
Translation and Interpreting : the International Journal of Translation and Interpreting Research, 2016 The present study is an attempt to investigate lexical explicitation in English translations of modern Persian literary works in different genres, namely prose, poetry, and drama.
Mehdi Vahedi Kia, Helen Ouliaeinia
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100th anniversary of Anton Chekhov’s death in Barcelona
RUDN Journal of Studies in Literature and Journalism, 2023 The interest towards Anton Chekhov’s theatre entered a new phase in the end of the seventies of the 20th century in Barcelona. A quarter of century after Franco’s death the translations of Chekhov’s plays into Catalan and representations thereof recorded
Hasmik Amiraghyan
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Peer Gynt in Czech translation: a peculiar reception in history
Nordlit: Tidsskrift i litteratur og kultur, 2015 Peer Gynt does not have as high a status as a unique world drama in Czechia as it does in some other countries. This is due to a historical paradox: in 1948, when Hans Jacob Nilsen’s epoch-making staging marked the beginning of a wave of de-romanticized ...
Martin Humpál
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PERGESERAN BENTUK DAN MAKNA DALAM PENERJEMAHAN TEKS DRAMA MA'SĀTU ZAINAB KARYA ALI AHMAD BĀKATSĪR
CMES (Center of Middle Eastern Studies), 2017 This research discusses the kinds of form and meaning shift in the Ma'sātu Zainab drama text translation. The purposes of this research are to describe the kinds of form and meaning shift in the Ma'sātu Zainab drama text translation.
Ulfah Haniyatur Rofi‟ah, Muhammad Yunus Anis
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Prevođenje drame sa srodnih jezika (kritički i književnoistorijski aspekt; uvodne napomene) [PDF]
Slavica TerGestina, 1997 This paper is an introduction to a field mentioned above. It tries to explain how to translate from similar languages when the translator focusses on the expressive, instead of the cognitive function of language.
Marija Mitrovič
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Harold Pinter in Slovene Translation
ELOPE, 2004 This article examines the translation of Harold Pinter’s most notable stylistic peculiarities into Slovene, illustrating its main points with examples taken from his play The Homecoming.
Darja Hribar
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Therapeutic Apheresis and Dialysis, EarlyView.ABSTRACT Background Chronic micro‐inflammation in patients with end‐stage renal disease (ESRD) is a significant driver of cardiovascular complications and diminished quality of life. While standard hemodialysis (SHD) effectively manages small‐molecule clearance, its ability to remove medium‐to‐large uremic toxins—the primary catalysts of systemic ...
Hongwei Zuo +5 more
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