Results 111 to 120 of about 1,409 (221)

Re‐evaluating the Rise of Anglophone Malaysian Historical Fiction in the Twenty‐First Century

open access: yesWorld Englishes, EarlyView.
ABSTRACT Since the turn of the century, anglophone Malaysian historical fiction has gained significant global recognition, so much so that it has become the dominant genre. However, notwithstanding this enviable evolution in the country's English‐language literature, it is not without issues, due to the genre's somewhat orientalist representation of ...
Andrew Hock Soon Ng
wiley   +1 more source

De Stupro: First Insights on Rape and Its Prosecution in Maltese Courts (1701–10)

open access: yesJournal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 265-286, September 2026.
Abstract This article constitutes a first in‐depth investigation of rape and the prosecution of this crime in early eighteenth‐century Malta. The research, which is based on sixteen rape accusations claimed at the secular courts in Malta between 1701 and 1710, has analysed cases categorized as ‘simple rape’, ‘violent rape’ and rape committed under the ...
Vanessa Buhagiar
wiley   +1 more source

Introduction: A Mnemosyne of Art & Science

open access: yes
Renaissance Studies, EarlyView.
Ana Duarte Rodrigues   +2 more
wiley   +1 more source

Queen Anne's Wardrobe: Fashion, Sartorial Politics, and the Representational Strategies of the Last Stuart Queen

open access: yesJournal for Eighteenth-Century Studies, Volume 49, Issue 3, Page 309-341, September 2026.
Abstract The final Stuart monarch, Queen Anne, has often been overlooked in studies of visual and material culture, particularly of fashion and dress. This article is the first to undertake a qualitative and quantitative analysis of the wardrobe accounts of Queen Anne, situating her consumption within the context of the eighteenth‐century fashion ...
Sarah A. Bendall
wiley   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, Volume 40, Issue 4, Page 570-588, September 2026.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

‘Why Did You Go to Buda?’: The Humanist Sodality and Mantuan's Rustic Idyll in Bohuslaus of Hassenstein's Ecloga sive Idyllion Budae (1503)☆

open access: yesRenaissance Studies, Volume 40, Issue 4, Page 609-634, September 2026.
Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
wiley   +1 more source

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