Results 121 to 130 of about 4,957 (253)
THE GENRE OF “HISTORY” IN THE ENGLISH LITERATURE OF THE 19th CENTURY
The article discusses the special genre of "history" in the English literature of the 19th century, the originality of which is manifested in the integration of history and literature. Analyzes the "history" W.
E. V. Somova, M. A. Maslova
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This study explores, in a sixteenth century context, the historical thought and consciousness of a selection of Shakespeare's English history plays. Looked at in relation to contemporary historiographical works, it is concluded that the plays in question
Ewens, Robert Leslie (11687335) +1 more
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ABSTRACT Scholarship on nationalism and nation‐building in Kazakhstan has been dominated by a social constructivist approach that privileges the civic–ethnic dichotomy. Even when critiques of this binary have emerged, they have often substituted proxy categories that reproduce the same dualism.
Rico Isaacs
wiley +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Entre Moyen Âge et Renaissance ? L’Angleterre vers 1500
Tatiana C. String, Marcus Bull
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Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
wiley +1 more source
The fall of the Spanish armada: historiography, identity and reception
This short study is based on the monograph titled A spanyol armada pusztulása (1588) Historiográfia, identitás, recepció [The Fall of the Spanish Armada. Historiography, Identity and Reception], Budapest, 2017.
Illik, Péter
core
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
Translation and historiography : the role of translators writing the ‘true’ history of the Christian church in post-reformation London [PDF]
In this paper I propose to discuss the early English translations of the key text of Christian ecclesiastical historiography, Eusebius’ Ecclesiastical History, to highlight the contribution of their authors to the English language and to the writing of ...
A. Andreani
core
This study uses close linguistic analysis to investigate how a group of Xhosa English Second Language (XESL) Speakers use repetition as a discourse strategy in their written academic work.
Alexander, Ebrahim
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