Results 1 to 10 of about 14,820 (177)
Et in Arcadia ego. Panosfski en perspectiva [PDF]
RA. Revista de Arquitectura, 2007 En el presente ensayo se analiza la biografía científica del célebre historiador del arte Erwin Panofsky, intentando evaluar su legado a la historia del arte y de la cultura a partir de los comentarios críticos, explícitos o implícitos, que nos ha dejado
Carlos Montes Serrano
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Forma, „przedmiot dzieła”, Gestalt. Max Imdahl i Erwin Panofsky
Biuletyn Historii Sztuki, 2023 Max Imdahl uważał, że w metodzie ikonologicznej Erwin Panofsky nie poświęcił należytej uwagi problematyce formy artystycznej. Panofsky faktycznie nie dostrzegał „ikonicznego” poziomu dzieła sztuki, ale starał się uzasadnić nierozdzielność formy i ...
Wojciech Bałus
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Description: Its meaning, epistemology, and use with emphasis on information science
Journal of the Association for Information Science and Technology, Volume 74, Issue 13, Page 1532-1549, December 2023., 2023 Abstract This study examines the concept of “description” and its theoretical foundations. The literature about it is surprisingly limited, and its usage is vague, sometimes even conflicting. Description should be considered in relation to other processes, such as representation, data capturing, and categorizing, which raises the question about what it
Birger Hjørland
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Epistemic communities and their situated practices: Perspectival realism—a primer
Annals of the New York Academy of Sciences, Volume 1523, Issue 1, Page 5-10, May 2023., 2023 The epistemic feat that we call science is not an aseptic outcome of reasoning from an eternal viewpoint but the product of myriad epistemic communities with intersecting and interlacing scientific perspectives. Abstract The epistemic feat that we call science is not an aseptic outcome of reasoning from an eternal viewpoint but the product of myriad ...
Michela Massimi
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The Ghost and the Rock: Albert Renger‐Patzsch and the Shape of Time
Art History, Volume 46, Issue 1, Page 124-153, February 2023., 2023 The career of photographer Albert Renger‐Patzsch began in the early 1920s in the storerooms of Germany's ethnographic museums, and ended in 1966 with the publication of his last photobook, Gestein (Rock). His reputation as a leading exponent of Neue Sachlichkeit (New Objectivity) developed in tandem with heated debates over sculptural facsimiles and ...
Megan R. Luke
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German Life and Letters, Volume 75, Issue 3, Page 341-364, July 2022., 2022 ABSTRACT The article discusses aspects of the dialectics of genius cults in the nineteenth century, using examples of Mozart's reception: the unveiling of the Salzburg memorial statue in 1842, Franz Grillparzer's texts on Wolfgang Amadeus Mozart and his son Franz Xaver, as well as the artist's novella Der arme Spielmann.
Werner Michler
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Renaissance Studies, Volume 35, Issue 3, Page 360-385, June 2021., 2021 Abstract Rome and the Roman idea of imperium – a centring, totalizing military and legal right to rule and command obedience – looms large behind innumerable historical instances of geopolitical aspiration. Yet the story of ancient Rome and the empire it shaped does not belong to Rome alone.
Nandini Das
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Via activa a via contemplativa vo vybraných interpretáciách renesančných diel Erwinom Panofskym
Acta Universitatis Carolinae: Philosophica et Historica, 2020 The paper deals with the processing of the theme of active and contemplative life in three selected examples of Renaissance art, namely in Dürer’s engravings Knight, Death and the Devil and Saint Jerome in His Study and Titian’s painting Sacred and ...
Stanislava Kustrová
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