Results 41 to 50 of about 3,746,592 (174)
Beyond David Graeber: How state intervention creates ‘bullshit jobs’
Economic Affairs, Volume 45, Issue 3, Page 395-416, October 2025.Abstract David Graeber describes the malaise of ‘bullshit jobs’ but misattributes their cause to capitalism. I offer a different account: a bullshit job is usually one that would not survive without regulation, subsidy, or legal privilege. Such roles proliferate through state‐driven mechanisms: (1) regulatory inflation that converts productive effort ...
Alexis Sémanne
wiley +1 more source
, 1985 T he term American Impressionism, when used in the context of stylistic analysis, implies a specific set of definable characteristics, and by extension, a traceable lineage that will fit comfortably in the historical narrative of American art.
Wise, Suzanne T.
core
Unveiling the Materiality of 19th Century's Color Spaces
Color Research &Application, Volume 50, Issue 5, Page 487-498, September/October 2025.ABSTRACT Several color theories flourished during the 19th century, marked by experiments on the distinction between color‐light and color‐matter. This study aims to compare the color plates designed to illustrate three of these color theories, namely M.E. Chevreul's chromatic circle (1861), O. Rood's frontispiece (1879), and C.
Aurore Malmert +3 more
wiley +1 more source
Artistic song in French impressionism
U ovom radu detaljnije de se opisati i objasniti impresionizam u francuskoj glazbi i književnosti te istaknuti ključne značajke tog pokreta. Poseban fokus bit de stavljen na obilježja glazbenog stila impresionizma, kao i na njegove najistaknutije ...
Pijetlović, Stefani
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Attorno a una lettera di Claude Monet a Giuseppe De Nittis
MDCCC 1800, 2018 The proximity between Giuseppe De Nittis and some French Impressionism’s interpreters has always been one of the most debated and controversial aspects of the Apulian painter’s experience.
Minervini, Fausto
doaj +1 more source
ALL THAT GLITTERS: THE MANY OBJECTS OF ROME'S MUSEUM OF CIVILIZATIONS
History and Theory, Volume 64, Issue 3, Page 422-452, September 2025.ABSTRACT This review article examines the various methodologies practiced by Rome's Museum of Civilizations (Museo delle Civiltà) to discuss the contemporary curatorial approaches of traditional ethnographic museums. It adopts a historical and comparative perspective to situate the diverse collections within ongoing debates about art restitution.
Arielle Xena Alterwaite
wiley +1 more source
Museum Anthropology, Volume 48, Issue 2, Fall 2025.ABSTRACT In light of recent demands to diversify and decolonize museums, which have influenced curatorial practices the world over, this article examines how the botanical gardens of The Huntington in Southern California communicate colonial legacies of their plant collections to the visiting public.
Vibe Nielsen
wiley +1 more source
The Eyes in Close-Up: Surveillance, Control, and Montage in Three Works by Sergei Eisenstein
ArtsThis article outlines the central role of the human eye as a consistent and recurring aesthetic strategy in the cinematic oeuvre of Sergei Eisenstein via an investigation of three films—Strike (1925), Potemkin (1925), and the unfinished, two-part Ivan ...
Joana Jacob Ramalho
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Professional Art EducationObject: the connection between Claude Debussy’s musical creativity and impressionism in painting. Results: In the late 19th century, Impressionism emerged as a new movement and the art movement reached a turning point.
Oleksandr Kim, Ganna Korchagina
semanticscholar +1 more source
Psycho-Narration in Nitasha Kaul's Future Tense
Nalans, 2020 Theory of ‘Expressionism’ by the Germans and ‘Impressionism’ by the French, paved way to ‘Stream of consciousness’ by the English. Ever since the advent of the SOC, modernists, in the likes of James Joyce, Virginia Woolf and Laurence Sterne have used the
Swati Patil, Sukanya Saha
doaj