Results 21 to 30 of about 3,746,592 (174)

The stages of modernism in Serbian music [PDF]

open access: yesMuzikologija, 2006
In order to consider this topic, it was first necessary to discuss certain problems of terminology and periodisation relating to musical modernism in general.
Milin Melita
doaj   +1 more source

La pintura francesa en los primeros años de La Ilustración Española y Americana (1870-1880)

open access: yesCahiers de Civilisation Espagnole Contemporaine, 2013
La Ilustración Española y Americana (1869-1921), a follow-up to the Museo Universal, was one of Spain’s most renowned journals at the end of the 19th century –its prestige based on its high-quality illustrations as well as its famous contributors ...
Lola Bermúdez Medina
doaj   +1 more source

“Proven patriots”: the French diplomatic corps, 1789-1799 [PDF]

open access: yes, 2011
This study analyzes a hitherto unexamined group, the French diplomatic corps during the Revolution (1789 to 1799), and focuses on the question of loyalty and conscience.
Frey, Linda S., Frey, Marsha L.
core   +2 more sources

A New Alphabet for the Cinema : the Tragic Irony of Napoléon (Abel Gance, 1927)

open access: yesRelief: Revue Électronique de Littérature Francaise, 2012
In the present-day period, on the eve of destruction of analogue cinema, there seems to be a remarkable interest in the last gasps of silent film. Encouraged by this fascination, this article delves into an analysis of the highly formally innovative ...
Peter Verstraten
doaj   +5 more sources

Da Mallarmé a Bozzetto: un percorso didattico interdisciplinare sul “Prélude à l’après-midi d’un faune” di Claude Debussy

open access: yesMusica Docta, 2018
This teaching application focuses on Claude Debussy’s Prélude à l’après-midi d’un faune (1892-1894). The goal is to develop specific skills pertaining to the listening of the French repertoire of the end of the 18th century.
Andrea Malvano
doaj   +1 more source

« My dear audacious Moore » : les poses de l’artiste décadent dans Confessions of a Young Man

open access: yesCahiers Victoriens et Edouardiens, 2012
In George Moore’s Confessions of a Young Man, published in 1886 at the beginning of Moore’s career, audacity, which is manifested both in the story and in the telling, verges on iconoclasm yet also appears as a pose.
Fabienne Gaspari
doaj   +1 more source

Pluriliteracies Teaching for Deeper Learning: An Investigation of Materials Development in the Basque Country

open access: yesThe Modern Language Journal, EarlyView.
ABSTRACT Pluriliteracies teaching for deeper learning (PTDL) focuses on the development of learners’ disciplinary literacies in additional languages. This study investigates teacher‐made materials through PTDL within a government‐supported initiative in the Basque Country (2022–2026).
Darío Luis Banegas   +2 more
wiley   +1 more source

Gustave Caillebotte and Visual Representation: Perspective, Photography and Movement [PDF]

open access: yes, 2014
This dissertation examines spatial composition in Caillebotte’s painting and, through it, his ways of producing visual experience for the viewer. The four chapters evaluate the artist’s methods of composition through the use of perspective, photography,
Pelacchi, Laetitia
core  

Piero della Francesca e il Novecento. Una recensione dimenticata di Roberto Longhi / Piero della Francesca and the 20th century. A forgotten review by Roberto Longhi

open access: yesIl Capitale Culturale: Studies on the Value of Cultural Heritage, 2020
La riflessione sui rapporti tra «arte italiana» e «arte tedesca» accompagna Longhi nel corso di tutta la sua attività. Rimane ad oggi in larga parte inesplorato il retroterra ideologico di tale riflessione, nutrita di spunti storico-politici e ...
Michele Dantini
doaj   +1 more source

Some Notes on La Faiseuse D'anges (A Fazedora De Anjos, 1908), by Pedro Weingärtner

open access: yesFuture Humanities, Volume 4, Issue 2, November 2026.
ABSTRACT Pedro Weingärtner's La Faiseuse d'Anges (A Fazedora de Anjos, 1908) stands as one of the most unsettling artefacts of Brazilian academic painting. Conceived in Rome but rooted in the Parisian fait divers of the ‘angel‐maker,’ it translates a sensational story of reproductive crime into a monumental moral tableau.
Gustavo Ruiz da Silva
wiley   +1 more source

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