Results 11 to 20 of about 3,746,592 (174)

Impressionism and the Modern Vision: Master Paintings from the Phillips Collection

open access: yes, 1981
Photograph of an adult tour of the exhibition "Impressionism and the Modern Vision: Master Paintings from the Phillips Collection," November 22, 1981-February 14, 1982, held at the Dallas Museum of Fine ...
Dallas Museum of Fine Arts
core   +16 more sources

The American appropriation of French Impressionism (1870-1915)

open access: yes, 2019
This dissertation focuses on the circulation and spread of French Impressionism in the United States between 1870 and 1915. In order to shed new light on the movement’s integration in the United States, a multidisciplinary methodology was developed. On the one hand, a database of collectors and exhibitions held in the United States aims to identify ...
Hendren, Claire
openaire   +2 more sources

Une fiction objective : John Rewald et l’invention de la fin de l’impressionnisme

open access: yesPerspective, 2022
Looking at the invention of the “end” of Impressionism raises the question of the writing of history and its fictional base. John Rewald’s History of Impressionism (1946) is especially representative of this paradox of historical discourse because it is ...
Olivier Schuwer
doaj   +1 more source

L’impressionnisme est-il français ?

open access: yesILCEA, 2021
As nationalisms were growing in Europe in the second half of the nineteenth century, it is not surprising that the field of art was also affected by the question of identity. In this respect, Impressionism offers a most interesting case study.
Brice Ameille
doaj   +1 more source

A Woman of No Importance?: Elizabeth Workman’s Collection of Impressionist and Post-Impressionist Art in Context

open access: yes19, 2021
This article discusses Elizabeth Workman’s collection in the context of the early reception of Impressionism by women artists in Britain and the USA.
Frances Fowle
doaj   +2 more sources

Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporain

open access: yesAmbiances, 2023
This article aims at problematizing, from an aesthetic perspective, the contemporary “atmospheric turn”. From a confrontation between French impressionist painting and the painting of the Danish Vilhelm Hammershøi (1864-1916), we thus distinguish three ...
Hugues Choplin
doaj   +1 more source

A Blueprint for Taste: Contemporary Collecting of Ebenisterie and French Impressionism [PDF]

open access: yes, 2001
This exhibition will look at the taste among contemporary wealthy collectors for Louis XV and Louis XVI ebenisterie and French Impressionist and Post-Impressionist paintings by examining objects from the recent sales at Christie's of three prominent ...
Moehrke, Mark Joseph
core   +6 more sources

Impressionist Art in Private Clubs: The Case Study of the Union League Club (1886-1902)

open access: yesTransatlantica, 2019
Americans became acquainted with French Impressionism in the last decades of the nineteenth century. Surprisingly, private clubs were some of the first to endorse the movement, hosting impressionist exhibitions early on in the movement’s arrival to the ...
Claire Hendren
doaj   +1 more source

A Study of Debussy’s Impressionism Music: Focusing on Première Rhapsodie for Alto Saxophone and Orches-tra (1910- 1911)

open access: yesAsia-pacific Journal of Convergent Research Interchange, 2023
: The purpose of this thesis is to investigate whether Debussy's Première Rhapsody for Alto Saxophone and Orchestra (1910-1911) shows the characteristics of Impressionist music and whether the work is an essential part of the history of Impressionist ...
Meng Li, Daimyung Cho
semanticscholar   +1 more source

Romanticism and Impressionism. A path between Turner and Monet

open access: yesLebenswelt: Aesthetics and Philosophy of Experience, 2016
The purpose of this paper is to further examine the aesthetical and theoretical relationship between the Romantic movement and French Impressionism, including its further development into pointillism and/or post-impressionism.
Giampiero Moretti
doaj   +1 more source

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