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Truth in Time Travel: Subversions of Time in An Adventure [PDF]
University of Bucharest Review. Literary and Cultural Studies SeriesThis article explores how Frances Lamont and Elizabeth Morison’s An Adventure (1913) disrupts temporal and spatial dichotomies through its supposed representations of time travel. An Adventure presents time as a shifting force that aligns with Bergsonian
Madeline Grohowski
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The British Journal of Sociology, Volume 77, Issue 4, Page 624-636, September 2026.ABSTRACT The 2000s have witnessed a significant, worldwide boom in new art museums founded by private, wealthy collectors. While the arts have long been a key arena for the remaking of elite distinction and the reproduction of inequalities, this surge in private museums has sparked much controversy.
Sara de Andrade Silva +2 more
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Debussy\u27s Early Impressionism [PDF]
, 2020 Debussy Early Impressionism My research is about Claude Debussy’s Nuit D’Etoiles (1880) for soprano and piano. I am investigating this piece from a historical, cultural, and analytical perspective.
Thompson, Natalia
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Black in Impressionism and Post‐Impressionism: Art, Color Vision, and Psychophysics
Color Research &Application, Volume 51, Issue 3, May/June 2026.Black has engendered controversy in 19th Century color theory and in Impressionist and Post‐Impresssionist painting. The neural mechanisms of blackness perception are being revealed through contemporary psychophysics. ABSTRACT From Paleolithic cave art to modern abstraction, artists have used black not merely as a neutral tone, but as a powerful ...
John S. Werner
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“One of Those Stupendous Mornings of Human Thought”: Ford’s Cycles of Literary History
Anglo SaxonicaFord Madox Ford wrote two works of literary history, The English Novel (1929) and The March of Literature (1938). The former at first proposes the difficulties of narrating the development of English fiction, but argues that such a problem is resolved ...
Seamus O’Malley
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The theme and symbolism of the bridge in European and Serbian early modernist painting [PDF]
Zbornik Radova Filozofskog Fakulteta u PrištiniIn the period from the late 19th century to the early 20th century, the bridge motif in European and Serbian early modernist painting expanded the visual and symbolic phenomenology of the bridge.
Tubić Dejan M.
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Hollow institutions: Merleau‐Ponty and the possibility of coordinated action
The Southern Journal of Philosophy, Volume 64, Issue 1, Page 55-70, March 2026.Abstract This article addresses the phenomenon of political powerlessness, understood—following Hannah Arendt—as the separation of “words and deeds,” a condition in which words become “empty” and actions lose their overall intelligibility, increasingly relying on coercion. I take up Merleau‐Ponty's phenomenology of institution to explore this condition.
Daniil Koloskov
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A century of art dealing in New York. The rise of American art
The Economic History Review, Volume 79, Issue 1, Page 281-311, February 2026.Abstract We study art trade in New York between 1870 and 1970, analysing returns on investment by the renowned Knoedler gallery to shed light on the evolution of the American art market. A generalist art gallery should allocate investments to equalize expected returns, with differences in effective returns depending on purchase prices, number of traded
Federico Etro, Elena Stepanova
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X-Ray Spectrometry, Volume 55, Issue 1, Page 136-147, January/February 2026.ABSTRACT In this study, four paintings by the Brazilian artists Tarsila do Amaral and Anita Malfatti were analyzed using x‐ray fluorescence (XRF) and macro‐x‐ray fluorescence (MA‐XRF) scanning. The analyzed artworks by Tarsila do Amaral were “Autorretrato com vestido laranja” (1921) and “Figura Só” (1930), while the investigated paintings by Anita ...
Valter Felix +9 more
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Hollandse Renaissance als bron van de Nieuwe Kunst
Bulletin KNOB, 1989 Although S.T. Malden in his Sources of Art Nouveau excludes Dutch Renaissance style in the 19th century as source of Dutch Art Nouveau, J.M. Jacobus and L.
Marijke L.A.J.T. Brekelmans
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