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This discussion of theories of writing instruction arises from the context of teaching research writing to postgraduate students for whom English is an additional language.
Bruce, Ian
core
Genre matters: essays in theory and criticism
This collection of new essays addresses a topic of established and expanding critical interest throughout the humanities. It demonstrates that genre matters in a manner not constrained by disciplinary boundaries and includes new work on Genre Theory and ...
Dowd, Garin +2 more
core +1 more source
ABSTRACT This article links the connection between music and leadership, exploring ways to connect musical icons to teaching leadership theory and concepts. The authors utilize the relationship leadership model (RLM) and the leadership identity development (LID) model through case studies of Beyoncé Knowles‐Carter and Taylor Swift. We provide questions
Sanithia Tucker, Kaley Vincent
wiley +1 more source
Appel: "Rituels" (revue Genre, sexualité, société)
“Contemporary conflicts over sexual values and erotic conduct have much in common with the religious disputes of earlier centuries. They acquire immense symbolic weight.” (Gayle Rubin, 1984, “Thinking Sex: Notes for a Radical Theory of the Politics of ...
Atelier Genre & Religions
core
A Femininomenon: Leadership Development Through Representation On‐Screen
ABSTRACT Historically, films and television centered men, but there has recently been a shift toward focusing on women and people of color (and women of color) in leading roles. Films and shows like Black Panther, Barbie, and Ashoka reflect this trend, offering more complex stories and diverse representation.
Kathleen Callahan
wiley +1 more source
Critical autobiography: a new genre?
Memoir, a genre that dates back, arguably, to Augustine’s Confessions, if not even earlier, is today enjoying enormous critical as well as popular success.
Laura Di Summa-Knoop
doaj +1 more source
ABSTRACT Hip‐hop music and culture have existed for decades in the United States. Since the 1970s, five critical elements have been defined as parts of hip‐hop culture: the MC (oral), the DJ (aural), graffiti (visual), knowledge (mental), and breakdancing (physical).
Jesse R. Ford +2 more
wiley +1 more source
Crisis response, organizational improvisation and the dispassionate communicative genre during the 2003 French heat wave. [PDF]
Ce papier examine le rôle joué par les technologies de l’information et de la communication (TIC lorsque les organisations qui répondent à des crises doivent improviser à l’échelle organisationnelle.
Adrot, Anouck
core
From Place to Platform: Extended Global Cities Theory for Transnational Cultural Diffusion
Abstract This study investigates how global city characteristics shape the acceptance of non‐mainstream cultural goods—focusing on K‐pop—as they diffuse across digital platforms. While prior research emphasizes fandom, soft power or media strategies, this research highlights the role of urban infrastructure in cultural globalization.
Jeoung Yul Lee +2 more
wiley +1 more source
RESUMO: Analisando as formas e conteúdos das apresentações dos índios e escritores indígenas contemporâneos no I Sarau das Poéticas Indígenas, este artigo trata da dificuldade de abordagens mais tradicionais da teoria dos gêneros em abarcar as narrativas
DEBORAH GOLDEMBERG, RUBELISE DA CUNHA
doaj

