Results 31 to 40 of about 28,346 (100)
'Das slowenische Gesicht': Literarische Reportage über Auswandereridentitäten [PDF]
Der Beitrag befasst sich mit dem Werk Das slowenische Gesicht (Slovenski obraz) der slowenischen Autorin Brina Svit. Einleitend wird auf die Problematik der hybriden Form des Werkes hingewiesen und das Werk als eine literarische Reportage definiert ...
Rezoničnik, Lidija
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In Ferdydurke Witold Gombrowicz presented the secret of interpersonal relations by using anatomical metaphors. In this ironic lecture a calf plays as important role as buttocks (stuck to the face) – it is a symbol of seductive youth and, to a ...
Jan Gondowicz
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Uma teia invisível de relações
Crítica ao espectáculo Cosmos, de Witold Gombrowicz, encenado por Cristina Carvalhal; Comuna - Teatro de Pesquisa, 2005.
Tiago Bartolomeu Costa
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Dansk oversættelse af Witold Gombrowicz: Dzienniki 1953 ...
Gombrowicz, Witold
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Traduzir-se. Diários de Gombrowicz
Partindo da perspectiva da elaboração do diário como um laboratório de subjetividade, o artigo examina as ambivalências específicas dessa forma de escrita pessoal.
Olga Kempinska
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Este artículo se propone abordar la complicada relación de Witold Gombrowicz con la tradición. A tal fin, subrayo el modo en que le resulta funcional subvertir la perspectiva convencional sobre la ‘vulgaridad’ y las clases populares, comparándolo con un ...
Tomás Fernández
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Autor del text: Witold Gombrowicz. Traducció: Miquel Martí i Pol. Intèrprets: El rei - Alba Teixidó, La reina - Paula Errando, El príncep - Pol Rebaque, Ciril - Joan Sentís, Yvonne - Lilit D'Elia, Isabel/Tia II - Mariona Ibáñez, El Camarlenc - Laura
Gómez, Pep Anton
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États d’exception de la littérature : l’expérience de la crise dans les textes de Witold Gombrowicz
The present paper articulates the following thesis: the common denominator of Witold Gombrowicz’s entire intellectual project lies in the representation of anomy, understood as a state of suspension of the law.
Piotr Sadzik
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A queer reading of Witold Gombrowicz’s Trans-Atlantyk (1953), paying special attention to the novel’s most iconoclastic aspects for the Polish culture.
Łukasz Smuga
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The Strategy of “Controlled Reception” in Witold Lutosławski’s Commentaries on his own Works
Witold Lutosławski’s commentaries on his own music are often defective in many regards. These defects could be explained as resulting from a strategy according to which the aim of a commentary is not to provide a truthful description of musical phenomena
Krajewski Marcin
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