Results 11 to 20 of about 412,344 (304)
GLBTQ content in comics/graphic novels for teens [PDF]
Purpose – This paper aims to provide an historical perspective and current guidance for youth librarians collecting graphic novels for teens. Design/methodology/approach – The paper provides a brief review of the historical issues involved with ...
Greyson, Devon
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Teaching Cartography with Comics: Some Examples from BeccoGiallo\u2019s Graphic Novel Series [PDF]
This article suggests the use of comics, particularly of graphic novels, as valuable instructional tools for teaching cartography. Of particular interest is the idea that comics can be used to develop students\u2019 geographical competencies, their ...
Peterle, Giada
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Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi [PDF]
This article argues that comics production in India should be configured as a collaborative artistic endeavour that visualizes Delhi’s segregationist infrastructure, claiming a right to the city through the representation and facilitation of more ...
Davies, D.
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Re-telling, re-evaluating and re-constructing [PDF]
'Graphic History: Essays on Graphic Novels and/as History '(2012) is a collection of 14 unique essays, edited by scholar Richard Iadonisi, that explores a variety of complex issues within the graphic novel medium as a means of historical narration.
Tolja, Gorana
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‘Graphic Dante’. Dante Alighieri e Farinata degli Uberti [PDF]
Dante’s biography and his most famous works have recorded a significant number of rewritings in the form of graphic novel in contemporary literature. Two works deserve a special mention in the Italian context: Dante Alighieri by Alessio D’Uva, Filippo ...
Vincenzo Salerno
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In the graphic memoir I Was a Child of Holocaust Survivors (2006) Bernice Eisenstein examines her identity as a second generation survivor, tells stories about her parents, and depicts the community of survivors in Toronto.
Aleksandra Kamińska
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Resimli ifade türleri oluşturulduğu dönemin teknik imkânlarını içerisinde barındırmaktadır. Zaman değiştikçe çizgi romanların üretim biçimlerinde de bazı farklılıklar göze çarpmaktadır.
Bayram Bozhüyük
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Quand l’écriture graphique de Stefano Benni rencontre le dessin
Stefano Benni’s writing has always been characterized by its deliberate graphic bias. He invented new languages, created burlesque, cartoonlike worlds in which animated images are paramount and support and give life to the narrative storyline but also ...
Judith Obert
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La visibilidad del traductor y dibujante en la versión italiana de El Eternauta [PDF]
The importance of the image in the communicative process is not questionable. The goal of this study is to consider the implications that derive from the translation of a text that combines the visual with the verbal code; we refer to the
María J. Valero Gisbert
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Graphic Novel Adaptation as a Subgenre (Franco- and Anglophone Texts)
The objective of this study is to define the graphic novel adaptation as a distinct subgenre of the graphic novel and to develop a cohesive methodology for its examination.
M. G. Merkulova, I. G. Prudius
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