Results 1 to 10 of about 206 (144)
Harold Pinter in Slovene Translation
ELOPE, 2004 This article examines the translation of Harold Pinter’s most notable stylistic peculiarities into Slovene, illustrating its main points with examples taken from his play The Homecoming.
Darja Hribar
doaj +4 more sources
Temor e poder em Harold Pinter – The Room: uma microfísica do medo
Pitágoras 500, 2012 Neste artigo o autor analisa The Room, primeira peça de Harold Pinter, sob a ótica de “Soberania e disciplina”, de Michel Foucault, “Alteridad y alienación sexual en la dramaturgia de Harold Pinter”, de Ignácio Ramos Gay, e discute questões apontadas por
Carlos Cardoso Martins Moreira
doaj +3 more sources
Cringe Histories: Harold Pinter and the Steptoes
Humanities, 2021 This article argues that cringe humour in British television had begun at least by the early 1960s and derived from a theatre history in which conventions of Naturalism were modified by emergent British writers working with European avant-garde motifs ...
Jonathan Bignell
doaj +1 more source
Feminine Character in The Homecoming: Women in Harold Pinter’s Plays [PDF]
زن در فرهنگ و هنر, 2018 Harold Pinter is among the most famous playwrights of the world and won Nobel Prize in 2005. How he used female characters in his plays is one of the most challenging issues in his dramatic texts. Many of these texts don't have any female personage while
Maryam Dadkhah Tehrani
doaj +1 more source
“Bringing Back the Essential Meaning of the Theatre”: Harold Pinter and the Belarus Free Theatre
ELOPE, 2012 The Belarus Free Theatre was founded in 2005 by Belarusian playwright and journalist Nikolai Khalezin and theatre producer Natalia Koliada. It is a dissident company which opposes the totalitarian regime of Lukashenko; therefore, in Belarus it must work
Andrea Peghinelli
doaj +1 more source
The Dualism of Inside and Outside and the Truth in Harold Pinter’s The Room /Harold Pinter’ın Oda Oyununda İç / Dış Düalizmi ve Hakikat [PDF]
Folklor/Edebiyat, 2022 The aim of this article is to explore the inside and outside dichotomies associated with the Lacanian topological figure’s trajectory, torus, in Harold Pinter’s play, The Room.
Elif Derya Şenduran
doaj +1 more source
Transfer, 2017 The British dramatist Harold Pinter (d. 2008) was awarded the Nobel Prize for Literature in 2005. The present contribution makes available to Spanish-speaking readers the discourse that Harold Pinter recorded for his acceptance speech in absentia to the ...
Beatriz PENAS IBÁÑEZ
doaj +1 more source
Criticizing “Peace Keepers” in Harold Pinter’s Celebration
الأستاذ, 2018 Celebration (1999) is one of the powerful political plays of Harold Pinter in which he criticizes the “strategy consultants” who are supposed to be peace keepers and take care of other people’s important matters since they represent the ...
Inst.Basaad Maher Mhayyal
doaj +1 more source
IDEOLOGICAL FANTASY ON FEMINIST CLICHÉ IN HAROLD PINTER’S THE ROOM: A ŽIŽEKIAN ANALYSIS
Aksara, 2023 This study aims to reveal women desires for freedom (without any menace), but she reproduces of male power restraints as it is represented in the drama script of Harold Pinter’s The Room.
Armelia Nungki Nurbani, Sri Nurhidayah
doaj +1 more source
Introduction: Harold Pinter’s Transmedial Histories [PDF]
Historical Journal of Film, Radio and Television, 2020 This article introduces the special issue by exploring the transmediality of Harold Pinter's work. By examining Pinter's texts across television, radio and cinema, as well as theatre, this article argues that both Pinter's formal experimentation and development as a cultural figure are intimately connected to his consistent practice of working across a
Bignell, Jonathan, Davies, William
openaire +1 more source