Results 11 to 20 of about 208,053 (276)
Italian baroque opera and event
Journal of Integrative Cultural Studies, 2019 Dmitry A. Fedchuk
openaire +3 more sources
Le Falstaff de Manfredo Maggioni et Michael Balfe : façonner un opéra italien pour le public anglais
Revue LISA, 2011 Based on Shakespeare’s Merry Wives of Windsor, Michael Balfe’s Falstaff, created in 1838 for London’s Italian opera audiences, was the work of an Italian librettist, Manfredo Maggioni, and an Irish composer, a first in a theatre where only Italian ...
Céline Frigau
doaj +1 more source
Just for the Ladies? Compilation, Knowledge Practice and Pasticcio in England around 1720
Musicology Today, 2021 In 1719, the Royal Academy of Music was founded with the purpose of setting Italian opera in England on solid ground. Previously, at least two thirds of the Italian operas staged in London had been pasticci.
Knoth Ina
doaj +1 more source
ITALY: THE WORLD OF MUSIC AND BELCANTO
Концепт: философия, религия, культура, 2019 The most powerful incentive in the study of Italian is undoubtedly the Italian culture and music at the forefront. It was in Italy that the modern system of musical notation originated a thousand years ago. The Italian musical notes relating to the tempo
E. V. Orel
doaj +1 more source
The Emergence of the Modern Conductor [PDF]
, 1991 During the first half of the 19th c., the duty of directing Italian opera was divided between the maestro al cembalo (sometimes known as the maestro concertatore) and the direttore d\u27orchestra, with greater responsibility falling on the former.
Jensen, Luke
core +3 more sources
The Role of Diction and Gesture in Italian Baroque opera [PDF]
, 1993 Early Italian Baroque opera (ca. 1600-ca. 1770) was drama-oriented; Monteverdi and the composers of the Camerata emphasized diction and gesture or acting in the portrayal of characters.
Termini, Olga
core +3 more sources
Review of Artistic Education, 2020 Giacomo Puccini’s artistic creation spans a period of 40 years, from 1884 to 1924, during which time he composed 12 works. This small number proves once again the great artistic exigency of the composer.
Ursachi Doina Dimitriu
doaj +1 more source
Murder at the Opera: “Cavalleria Rusticana” and “I Pagliacci”
Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2018 Pietro Mascagni's “Cavalleria Rusticana” and Ruggero Leoncavallo's “I Pagliacci” are the most important operas of the Italian Risorgimento period. These two operas complete each other, both chronologically and subject matters as works reflecting the ...
Bülent AYYILDIZ
doaj +1 more source
Verdi’s six-fours and la parola scenica [PDF]
, 2017 Verdi’s operas display many non-normative six-four chords. The question for the opera analyst, however, is not only what occurs musically, but why it does. Is there a dramatic function being served by this mix of harmonic-intervallic instability?
Burton, D., Sanguinetti, G.
core +1 more source
Musical Offerings, 2020 Verismo is an Italian term that came to be used in reference to literature, theatre, and opera during the end of the nineteenth century. According to William Berger, “verismo is often translated as ‘realism’ but the word is closer to ‘truth’ in Italian.”
Leah P. Bartlam
doaj +1 more source