Results 21 to 30 of about 208,053 (276)
Вивліоѳика, 2020 This article seeks to contribute to the ongoing revision of the historiography on eighteenth-century Russian music in general, and Russian opera in particular.
Анна Джуст
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L’opera e l’insegnamento dell’italiano nel mondo
Educazione Linguistica Language Education, 2015 Each year the Italian government chooses a topic as the focus of the ‘week of Italian in the world’, to be held late in October. Researchers, institutions and practitioners in the field of Italian as a FL are asked to focus their work on the topic of ...
Balboni, Paolo E.
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Teatro del Siglo de Oro y ópera italiana del Seiscientos: un balance
Criticón, 2012 In 1992, during the 15th Conference of the International Musicological Society, a round table about «Spanish and French Theater in Italian Opera of the Seventeenth Century» took place in Madrid.
Anna Tedesco
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RECONFIGURING OPERA IN THE 19TH CENTURY: THE EVOLUTION AND TRANSFORMATIONS OF ARRIGO BOITO’S MEFISTOFELE [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, PracticăThe evolution of Arrigo Boito’s opera Mefistofele is emblematic of the transformation of Italian opera at the end of the 19th century, reflecting the cultural dynamism of Milan.
SUCIU, ALEXANDRU
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Early use of the reinforced concrete in the architecture of the Historicism in Austria–Hungary
Structural Concrete, EarlyView.Abstract The study examines the early incorporation of reinforced concrete in the architecture of Historicism in Austria–Hungary. Spanning the late 19th to early 20th centuries, the research illuminates the period's stylistic pluralism and the transformative impact of reinforced concrete.
Éva Lovra, Zoltán Bereczki
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El hipérbaton en la traducción al español de los libretos de ópera en italiano [PDF]
, 2017 The opera libretto stands as one of the main textual typologies in which Italian is usually the source language. Nevertheless, translations into Spanish of these kinds of texts often show interpretative or sense distortions.
Rodríguez Mesa, Francisco José
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Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Musicology Today, 2021 The phenomenon of the pasticcio oratorio was quite widespread in the Czech Lands around the middle of the eighteenth century. The first evidence of this practice was a Latin oratorio based on opera arias by George Frideric Handel (Prague 1725).
Spáčilová Jana
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Journal for Eighteenth-Century Studies, EarlyView.Abstract The final Stuart monarch, Queen Anne, has often been overlooked in studies of visual and material culture, particularly of fashion and dress. This article is the first to undertake a qualitative and quantitative analysis of the wardrobe accounts of Queen Anne, situating her consumption within the context of the eighteenth‐century fashion ...
Sarah A. Bendall
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The protectorate playhouse: William Davenant's cockpit in the 1650s [PDF]
, 2019 N/
Watkins, Stephen
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Studia Universitatis Babeş-Bolyai. Musica, 2022 Donizetti’s opera “Lucrezia Borgia” presents one of the most complex female characters in the history of Italian lyrical theatre – a notable portrait of “femme fatale”.
Edith Georgiana ADETU +1 more
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