Results 31 to 40 of about 208,053 (276)

The Acts of Eadburg: drypoint additions to Oxford, Bodleian Library, MS Selden Supra 30

open access: yesEarly Medieval Europe, EarlyView.
In 1913, two drypoint additions were identified in Oxford, Bodleian Library, MS Selden Supra 30 (SS30), an eighth‐century Southumbrian copy of the Acts of the Apostles. It was suggested that these additions, cut into the membrane of p. 47, were abbreviations of the Old English female name, Eadburg. Just over a century later, many more drypoint markings
Jessica Hendy‐Hodgkinson
wiley   +1 more source

William Henry Fry’s Leonora: the Italian connection

open access: yes, 2009
On 7 June 1845, the New York Herald published a letter by an ‘occasional correspondent’ from Philadelphia concerning William Henry Fry's first grand opera, Leonora, which premiered three days before at the Chestnut Street Theatre.
Izzo, Francesco
core   +1 more source

Le roman anglais du XVIIIe siècle à l’opéra : la sentimentalité, Pamela et The Maid of the Mill

open access: yesRevue LISA, 2011
This article returns to the well-known notion of sentimental culture, and specifically, to sentimental opera derived from the English novel.  The notion that goodness must triumph, that a poor but honest girl should ‘make good’, and that such goodness ...
Michael Burden
doaj   +1 more source

The ecclesiastical fight against storm‐makers in the Latin west

open access: yesEarly Medieval Europe, EarlyView.
This paper studies the strategies used by the Church to fight against the storm‐makers. These figures were said to cause the storms that ruined crops, and during Late Antiquity and the early Middle Ages in the Visigothic and Frankish kingdoms were subject to punishment and constraints.
Juan Antonio Jiménez Sánchez
wiley   +1 more source

"Musica adattata allintelligenza ed alle esigenze del pubblico" : Giuseppe Verdi, Errico Petrella, and their Audience [PDF]

open access: yes, 2008
As we shall see, the two composers can be understood as opposites in many respects. While some superficial details of Verdis style were imitated by contemporary operatic composers, Verdi should be understood as exceptional, as pursuing a unique path ...
Werr, Sebastian
core  

The Seven Point Circle and the Twelve Principles: An evidence-based approach to Italian Lyric Diction Instruction

open access: yesSCENARIO: Journal for Performative Teaching, Learning, Research, 2019
Despite the ubiquitousness of Lyric Diction Instructors (LDIrs) in both the academic and professional opera world, there remains a dearth of research examining the approaches and methods used for Lyric Diction Instruction (LDIn) as well the nonexistence ...
Leigh, Steven A.
doaj   +1 more source

Romano Guardini and Cornelio Fabro on Kierkegaard's Christian Humanism

open access: yesThe Heythrop Journal, EarlyView.
Abstract This article examines how Søren Kierkegaard's theological anthropology furnished resources for reconstructing Christian humanism among mid‐twentieth‐century Catholic thinkers. Focusing on Romano Guardini (1885‐1968) in Germany and Cornelio Fabro (1911‐1995) in Italy, I demonstrate how each thinker creatively appropriated Kierkegaard's ...
Joshua Furnal
wiley   +1 more source

Unusually Gothic : Robert Sigl's Laurin (1987) [PDF]

open access: yes, 2003
Marcus Stiglegger revives a lost Gothic treasure in this brief discussion of Robert Sigl's Laurin—a rare case of German genre film-making and the heir to FW Murnau's legacy.
Stiglegger, Marcus
core  

The Business of Art: Italian Influences in the Management and Organization of the Lyrical Opera in São Paulo

open access: yesOpus, 2016
In this article, we endeavored to characterize the historical context of the music management roles of the lyric theater:  the artists and entrepreneurs who played a role in the history of the Municipal Theater of São Paulo during the first decades of ...
Juliana Marília Coli
doaj   +1 more source

Multiculturalism, Majority Rights and the Established Culture

open access: yesNations and Nationalism, EarlyView.
ABSTRACT Recent critiques of multiculturalism contend that it is the ethnic or cultural majority in Western democracies that is now most vulnerable to cultural and identity dissolution, thus entitling it to majority rights on much the same grounds that multiculturalists defend minority rights. These critiques follow and perpetuate the binary opposition
Geoffrey Brahm Levey
wiley   +1 more source

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