Results 11 to 20 of about 368 (159)
Performer rights and responsibilities in historical performance [PDF]
Muzikologija, 2014 In April 2014, fortepianist and Mozart specialist John Irving recorded a CD of solo keyboard sonatas by Joseph Haydn, using a modern copy of a Viennese fortepiano of Haydn’s era.
Irving John
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Johann Michael Haydn’s Missa Sancti Hieronymi: An Unusual Eighteenth-Century Tribute to Saint Jerome
Clotho, 2021 Johann Michael Haydn (1737–1806), court musician to the prince-archbishop of Salzburg, composed the Missa Sancti Hieronymi in 1777, apparently intended to mark the name-day of his employer: 30 September, the feast-day of St. Jerome.
Jane Schatkin Hettrick
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Review of Artistic Education, 2023 The composer, choir conductor and musicologist, raised from the lands of Bucovina. Eusebie Mandicevschi (1857 - 1829) left posterity a complex musical work: vocal, symphonic, chamber, choral music, prestigious critical studies on Johann Sebastian Bach ...
Acatrini Vladimir +2 more
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NMR in Biomedicine, Volume 36, Issue 11, November 2023., 2023 A particle swarm optimisation (PSO) is used to fit z‐spectra (z‐PSO) acquired at a range of B1 to provide information about peak position, amplitude, exchange rate, and T2 in vivo in the human brain, after a validation was performed by fitting the exchange rate of creatine in the phantom at various temperatures.
Andrew J. Carradus +3 more
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Revisiting the Galant in Gjerdingenian Schemata
Music Analysis, Volume 42, Issue 3, Page 287-330, October 2023., 2023 ABSTRACT Robert Gjerdingen's schema theory focuses the long‐debated ‘galant’ style concretely onto an inventory of stock musical phrases, or ‘galant schemata’. The rich historico‐cognitive discourse sparked by this growing ‘schematicon’ has provided significant theoretical evidence for their historical situatedness, coherence and objectivity; however ...
Hainian Yu
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Antec, 2023 Cipriano Aguilar Fernández fue un fraile agustino cuya vida transcurrió durante el paso del Perú virreinal al republicano. En 1837 fue nombrado maestro de capilla del convento agustino de Lima.
César Humberto Vega Zavala
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What Is Haydn Doing in a John Field Nocturne?
Music Analysis, Volume 42, Issue 2, Page 163-187, July 2023., 2023 ABSTRACT The middle section of John Field's Nocturne No. 13 in D minor, published in 1834, towards the end of the composer's life, begins with what appears to be a quotation from the start of the finale of Haydn's Quartet in E♭ major Op. 76 No. 6. Apart from the transposition of Haydn's theme to D major and the use of a different medium, the respective
W. DEAN SUTCLIFFE
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Notation, Performance, and the Significance of Print in the Music of Ignatius Sancho (c. 1729–1780)1
Journal for Eighteenth-Century Studies, Volume 46, Issue 2, Page 185-211, June 2023., 2023 Abstract The posthumously published correspondence of the Black British writer, butler, musician, and shopkeeper Ignatius Sancho (c. 1729–1780) has received extensive critical attention in recent decades, especially because it contributed to opening a space for Black authorship in the Atlantic world.
Rebecca Cypess
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THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–18011
German Life and Letters, Volume 76, Issue 2, Page 222-244, April 2023., 2023 ABSTRACT The early reception of German letters in London can be better understood through a close reading of the bookseller Constantin Geisweiler's short‐lived journal The German Museum (1800–1801). The 1790s have been described as an era of literary ‘Germanomania’, as numerous translations of German works appeared for the first time in English.
Oliver Puckey
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Anuario Musical, 2008 Hasta donde conozco, no se ha realizado hasta la fecha un estudio sobre la recepción de la música, particularmente en lo referido al repertorio litúrgico —en latín— de Joseph Haydn, en los principales centros de producción musical eclesiástica de la ...
José Aparisi Aparisi
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