Results 31 to 40 of about 368 (159)
Povezave med mestom in deželo: samostani kot potrošniki na dunajskem trgu muzikalij med 1750 in 1780
De Musica Disserenda, 2020 Samostanski glasbeniki v redovnih hišah v Zgornji in Spodnji Avstriji, na Štajerskem, Češkem in Moravskem so se v drugi polovici 18. stoletja aktivno udejstvovali kot izvajalci in prepisovalci not dunajskih simfonij, godalnih kvartetov in druge komorne ...
Christiane Maria Hornbachner
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Classical sonata form: the context of modern music-pedagogy experience
Вестник Тамбовского университета. Серия: Гуманитарные науки, 2023 Importance. The range of issues of fortepiano pedagogy related to the development of the classical sonata form in succession with the composing and performing experience of the pre-classical period is considered.
M. Y. Dolgushina, A. A. Dolgushina
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Promusika: Jurnal Pengkajian, Penyajian, dan Penciptaan MusikBeethoven adalah salah satu komposer dan pianis yang terkenal dari Jerman pada periode klasik. Semasa hidupnya, Beethoven membuat 32 sonata dan salah satu yang terkenal adalah Sonata Op. 2 No. 1.
Dorothea Belicia Violista Indrawati +1 more
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Anton Weidinger and the Emergence of His Voice: The Keyed Trumpet
Nota Bene, 2015 This paper examines Anton Weidinger, the 18th- and early 19th-century keyed trumpet player for whom Joseph Haydn and Johann Nepomuk Hummel composed their trumpet concerti.
Jeremy W. Sexton
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Schemata und Systemcharakter [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2015 Anknüpfend an Überlegungen der Philosophen Michael Esfeld und Martin Seel wird zunächst dargestellt, inwiefern sich musikanalytische Diskurse und musikalische Werke als Systeme beschreiben lassen.
Stefan Rohringer
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On Synergies of Schema Theory and Theory of Levels. A Perspective from Riepel’s Fonte and Monte [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2015 Using specific examples I want to examine the extent to which the schema concept and the Schenkerian concept of hierarchical organized tonal structures may interlock or, at least, illuminate each other.
Folker Froebe
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Haydn, Schenker, Schönberg. Ein Beitrag zur Eklektizismusdebatte in der Musiktheorie [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2010 Unterschiedliche analytische Verfahren in der Praxis miteinander zu kombinieren wird durch die Unzulänglichkeiten bestehender Theorien und die Komplexität musikalischer Kompositionen nahegelegt, birgt aber eine Reihe methodologischer Schwierigkeiten. Der
Oliver Schwab-Felisch
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Johan Svendsen and Two‐Dimensional Sonata Form
Music Analysis, Volume 45, Issue 2, Page 177-212, July 2026.ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
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Los conciertos en Barcelona (1760-1808): el doble estreno de "La Creación" de Haydn en contexto
Cuadernos de Música Iberoamericana, 2018 Barcelona carecía de un estudio sistemático de las primeras etapas de su vida concertística. A partir de los datos y la óptica del dietario del barón de Maldà y del Diario de Barcelona, este artículo estudia la organización y la evolución de los ...
Lluís Bertran
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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