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Music Information Retrieval in Live Coding: A Theoretical Framework [PDF]
, 2018 The work presented in this article has been partly conducted while the first author was at Georgia Tech from 2015–2017 with the support of the School of Music, the Center for Music Technology and Women in Music Tech at Georgia Tech. Another part of this
Freeman, Jason +2 more
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Review | The History of Live Music in Britain Volume II, 1968-1984: from Hyde Park to the Hacienda [PDF]
IASPM Journal, 2019 Book Review: The History of Live Music in Britain Volume ...
Alison C. Eales
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Communiquer, 2022 This reading note concerns the book The Future of Live Music, published by Bloomsbury editions (2020). Directed by three professors from the University of Central Lancashire (Preston, United Kingdom), it involves 16 contributors in 13 chapters divided ...
Paco Garcia
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Rethinking live electronic music: a DJ perspective [PDF]
, 2013 The author critiques the conventional understanding of live electronic music through empirical research on his own DJ practice and investigates others working in the field.
Vandemast-Bell, Paul
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What Determines the Perception of Segmentation in Contemporary Music?
Frontiers in Psychology, 2020 BackgroundThis study concerns the perception of musical segmentation during listening to live contemporary classical music. Little is known about how listeners form judgments of musical segments, particularly when typical section markers, such as ...
Michelle Phillips +8 more
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Interacting with generative music through live coding [PDF]
, 2009 All music performances are generative to the extent that the actions of performers produce musical sounds, but in this article we focus on performative interaction with generative music in a more compositional sense.
Brown, Andrew, Sorensen, Andrew
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Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
Current Musicology, 2009 Live music does not exist without its recorded other. In other words, the concept of liveness in music was unknown until there was something not live-recordings-with which to compare it.
Paul Sanden
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The Portable Recording Studio: Documentary Filmmaking and Live Album Recording, 1967-1969 [PDF]
IASPM Journal, 2016 While live performance and rock authenticity are topics widely investigated across popular music studies, cultural studies, and performance studies, the particular media practices that constitute liveness in rock music have been treated without rigorous ...
Landon Palmer
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IASPM Proceedings, 2012 The current crisis within the recording sector has been accompanied by an apparent boom in live music. In 2008 and 2009 the economic value of live music in the UK exceeded that of recorded music and the gap appears to be growing. While such trends have been commented upon in numerous places, what has been less common is to examine the ways in which the
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The Musical Arrangement of a Live-Action Film
Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво, 2021 The purpose of the study is to analyze the characteristics of a live-action film’s musical arrangement; to identify the impact of musical arrangement on the audience’s perception, on the example of the film composer Eric Serra’s works.
Лілія Єременко +1 more
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