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The authorship of the body in Lucrecia Martel's films

open access: yes, 2013
Lucrecia Martel's filmography is exemplary of the subjective turn that occurred in the Argentine film industry from the second half of the 1990s. Her first feature film, TheSwamp (2000) puts into question the model of institutional representation (Mri, Noël Burch) and breaks with several narrative and aesthetic canons to open up the spectators' horizon,
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Tiempo estético, tiempo político: Lucrecia Martel. Cine y cultura

open access: yes, 2015
El presente trabajo recupera las conclusiones desarrolladas en la Tesis Doctoral titulada “Lucrecia Martel: Cine y Cultura”. A partir de dos ejes, se propone por un lado, un análisis crítico de las problemáticas emergentes en el lenguaje del cine, relacionadas con las representaciones de la memoria histórico-cultural, los procesos socio políticos, los ...
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