Results 41 to 50 of about 39,718 (250)

Boston University Symphony Orchestra, March 28, 2000 [PDF]

open access: yes, 2000
This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, March 28, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
core   +1 more source

L’excès du classique

open access: yesTr@jectoires, 2016
La musique de Ludwig van Beethoven constitue à la fois la continuation du style classique et un moment pour le moins insolite de celui-ci, qu’on peut à tous égards qualifier d’excessif. Il s’agit d’interroger la notion du classique appliquée à la musique,
Alexandre Chèvremont
doaj   +1 more source

Schubert and Beethoven - Adorno’s early antipods of the music in bougeois epoch [PDF]

open access: yesFilozofija i Društvo, 2012
In this article the authors are reconstructing the dichotomies which the young Theodor Adorno was trying to detect in the music of the bourgeois epoch and personify in two antipodes - Franz Schubert and Ludwig van Beethoven. Although already a devotee
Jeremić-Molnar Dragana   +1 more
doaj   +1 more source

Beethoven, a música e a literatura

open access: yesOuvirOUver, 2021
Exploramos neste artigo as relações interartes, com ênfase nas relações entre literatura e música. De modo específico, demonstraremos, primeiramente, como a literatura contribui para a construção de uma imagem de Ludwig van Beethoven por meio de inúmeras
Stéfano Paschoal
doaj   +1 more source

Music in the Head: the Figure of Ludwig van Beethoven as an Acoustic System in Gert Jonke’s “Gentle Rage or the Ear Engineer”

open access: yesScientific herald of Tchaikovsky National Music Academy of Ukraine, 2022
Relevance of the study. Intermedial studies are an important part of modern humanities requiring literary and music studies to reprofile and set new objectives. Literary studies occupy a principal place in developing theoretical frameworks and categories
S. Macenka
semanticscholar   +1 more source

Ludwig Van Beethoven: La Musica Del Silenzio

open access: yesGiornale di Clinica Nefrologia e Dialisi, 2014
Nell'estate del 1797 all'età di 27 anni e periodo che coincide con gli inizi dei disturbi uditivi, il musicista contrae una infezione, un tifo addominale dal quale non si riprenderà più completamente, con reiterati disturbi gastrointestinali negli anni a
Luciano Sterpellone
doaj   +1 more source

A REVIEW OF THE USE OF BASSOON AND CONTRABASSOON IN LUDWIG VAN BEETHOVEN’S (op.125) NINTH SYMPHONY IN D MINOR

open access: yesTrakya University Journal of Social Sciences, 2019
Beethoven enabled to all instruments’ groups albeit with limited and had colours with different instruments combinations. Bassoon which performed voices that formed harmony in classical approach and pedal sounds, vocalized bass sounds of woodwind ...
Hande Öztank Günalan
doaj   +1 more source

Beethoven's Ninth and AI's Tenth: A comparison of human and computational creativity

open access: yesJournal of Creativity, 2023
Composer Ludwig van Beethoven died in 1827, leaving behind several dozen sketches for his Tenth Symphony. In 2021, a team of computer scientists and musicians trained an artificial neural network to create a realization of the third and fourth movements.
Anthony K. Brandt
doaj   +1 more source

Beethoven Returns to Bonn: Origins, Belonging and Misuse in Mauricio Kagel’s Ludwig van (1969)

open access: yesCurrent Musicology, 2021
In 1969 West Germany, the country was abuzz with anticipation of the approaching Beethoven bicentennial. That year the composer and experimental filmmaker Mauricio Raúl Kagel, born in Argentina to Russian- and German-Jewish parents in 1931 and living in ...
Elaine Fitz Gibbon
doaj  

Ludwig van Beethoven: Symphonies 1–9; Gerald Barry: Beethoven Piano Concerto, Viola Concerto The Conquest of Ireland, The Eternal Recurrence (Signum Classics: 2020, 2020, 2021)

open access: yesJournal of the Society for Musicology in Ireland, 2021
A review of Ludwig van Beethoven: Symphonies 1–3; Gerald Barry: Beethoven, Piano Concerto, Nicolas Hodges, Mark Stone, Britten Sinfonia conducted by Thomas Adès, Signum Classics (2020), (CD) SIGCD616.
M. Fitzgerald
semanticscholar   +1 more source

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