Max Dvořák and the History of Medieval Art [PDF]
Journal of Art Historiography, 2010 The intellectual development of Max Dvořák (1874-1921), one of the protagonists of the ‘Vienna School of Art History’, was characterized by a constant process of methodological self-criticism.
Hans H. Aurenhammer
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Everyday life at the Dvořák Seminar, on the basis of contemporary sources. Addenda to the history of the Vienna School of Art History [PDF]
Journal of Art Historiography, 2021 Discussing the relationship of Max Dvořák and Johannes Wilde on the previous study (János (Johannes) Wilde and Max Dvorák or, can we speak about the Budapest School of art history), I proposed – indirectly – the provocative thesis that “there is no ...
Csilla Markója
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Max Dvořák in the 1960s: a re-construction of tradition [PDF]
Journal of Art Historiography, 2021 The impact of Max Dvořák is habitually considered to consist of reading his texts. I would like to argue that the key aspect is rather an interpretation and representation and that their mode depends on specific conditions of time and place.
Milena Bartlová
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Max Dvořak and the founding of the “Ljubljana School of Art History” [PDF]
Journal of Art Historiography, 2022 France Stele, Vojeslav Mole and Izidor Cankar, who are considered the founders of Slovenian art history as a modern scientific discipline, were all students of Max Dvořak.
Katja Mahnič
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Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials [PDF]
Journal of Art Historiography, 2023 The article deals with Franz Wickhoff´s influence on Max Dvořák´s formulation of his late method of art history today widely known as ‘Kunstgeschichte als Geistesgeschichte’.
Tomáš Murár
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Conference report on The Influence of the Vienna School of Art History II: The 100th Anniversary of Max Dvořák’s Death [PDF]
Journal of Art Historiography, 2021 The report concludes the results of the international conference organized on 15-16 April 2021 by the Institute of Art History of the Czech Academy of Sciences to commemorate 100 years since the death of Czech born Viennese art historian Max Dvořák ...
Tereza Hrdličková , Tomáš Murár
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”A higher architectural unity”: Max Dvořák on new buildings in historical settings [PDF]
Journal of Art Historiography, 2021 In the early 20th century, heritage conservation in Central Europe extended the focus of its interest to old towns seen as a whole. Around the same time, the first buildings in the Modernist style began to be introduced into these historical urban ...
Rostislav Švácha
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Max Dvořák’s Michelangelo [PDF]
Journal of Art Historiography, 2021 It has been shown that it was Max Dvořák who introduced into art-historical research the concept of Mannerism as an independent style that dominated the second half of the 16th century.
Tomáš Murár
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Dvořák on the revolutionary temporalities of art [PDF]
Journal of Art Historiography, 2021 This text discusses the relations between temporality and art in some elucidative texts written by Max Dvořák (1874–1921) in the last years of his short life.
Ivan Gerát
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The Mannerist “revolution”, Dvořák and Soviet Art History [PDF]
Journal of Art Historiography, 2021 Max Dvořák is widely recognized as a key contributor to the tectonic change in the perception of Mannerism amongst art historians. Soviet scholars could not ignore this shift. In this paper, I trace the impact of Dvořák’s writings on Mannerism in Italian
Stefaniia Demchuk
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