The ‘purification of the personality of Sanmicheli [PDF]
Journal of Art Historiography, 2023 The respected art historian Antonio Morassi, as a student under Max Dvořák in Vienna in 1912–16, wrote a thesis on the Renaissance architect Michele Sanmicheli (1487–1559), who was active in Verona and Venice.
David Hemsoll
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Max Dvořák, Rudolf Carnap and the question of Weltanschauung vs. Weltauffassung
Journal of Art Historiography, 2021 This paper takes a comparative approach to the later work of Max Dvořák (Czechia 1874–1921) and the early writings of Rudolf Carnap (Germany 1891–USA 1970).
Barbara Czwik
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The reception of Max Dvořák’s thought in Italy: resistances and unlucky attempts between the 1920s and the 1940s [PDF]
Journal of Art Historiography, 2023 The essay proposes a synthesis of the reception by Italian scholars of Max Dvořák’s art history theories between the 1920s and the 1940s. The resistance to his thought for both linguistic and ideological reasons will be underlined mostly based on the ...
Francesca Bottura
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The reception of the Vienna School of art history in Poland in the years 1945-1955 [PDF]
Journal of Art Historiography, 2023 It is with a fair amount of certainty the one can state today the importance of the Vienna School of art history for the Polish art historians at the beginning of the XX century, in the interwar period or the 1960s and 1970s, yet very little is known ...
Violetta Korsakova
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The Metamorphosis of Mannerism in Russian Poetry at the Turn of the 19th–20th Centuries: Valery Bryusov and Nikolay Gumilev [PDF]
Studia Litterarum, 2023 This article is dedicated to the insufficiently studied topic concerning comparative analysis of European mannerism and neo-mannerist tendencies in Russian modernist poetry.
Svetlana D. Titarenko
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Edith Hoffmann (1888-1945): the first successful female art historian in Hungary [PDF]
Journal of Art Historiography, 2023 Edith Hoffmann (1888-1945) was the first important and outstanding female art historian in Hungary. She received her PhD in medieval art in 1910 and worked at the Museum of Fine Arts in Budapest from 1913 until her tragically sudden death.
Anna Kopócsy
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Independent Sets near the Lower Bound in Bounded Degree Graphs [PDF]
, 2017 By Brook\u27s Theorem, every n-vertex graph of maximum degree at most Delta >= 3 and clique number at most Delta is Delta-colorable, and thus it has an independent set of size at least n/Delta.
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‘Dvořák’s Pupil Johannes Wilde (1891–1970)’ originally published in umění LX (2012), 101-8 [PDF]
Journal of Art Historiography, 2016 The study is concerned with Max Dvořak’s pupil Johannes Wilde (1891-1970), who remains well-known as an illustrious scholar of Italian Renaissance Art. Wilde studied art history in Budapest, Freiburg im Breisgau, and Vienna. He completed his studies with
Ingrid Ciulisová
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Postavke Cankarjevega »razvoja stila« v razmerju do Dvořákove »zgodovine duha«
Acta Historiae Artis Slovenica, 2022 Izidor Cankar je svoj »razvoj stila«, monumentalno Zgodovino likovne umetnosti v Zahodni Evropi od starokrščanske dobe do začetkov baročne umetnosti, napisal na podlagi svoje »sistematike stila«, že razgrnjene v Uvodu v umevanje likovne umetnosti ...
Rebeka Vidrih
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Max Dvorák: art history and the crisis of modernity
, 2003 The work of Max Dvořak has seldom enjoyed the acclaim accorded to that of his Viennese colleague Alois Riegl, or contemporaries such as Aby Warburg and Heinrich Wolfflin.
M. Rampley
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