Results 11 to 20 of about 2,812 (119)
Handel’s Pasticci between Music History and Current Music Practice at the Handel Festival in Halle
Musicology Today, 2021 Looking back on the first Handel Festival in Halle in 1922, it is argued that a close connection between science and practice has been characteristic of the Halle Festival from the very beginning.
Birnbaum Clemens
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Musicologica Brunensia, 2018 The passion oratorio La morte di Cristo, attributed in two German sources from the late 18th or early 19th century to Johann Adolf Hasse, was identified in 1976 by Reinhard Strohm as a sacred pasticcio, based on opera arias by Hasse and other composers ...
Steffen Voss
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De l’ostinato au pastiche : approche comparée du comique de répétition en poésie et en musique au XXe siècle [PDF]
, 2007 De l’ostinato au pastiche, la production poétique et musicale du XXe siècle met en oeuvre divers procédés comiques fonctionnant sur des techniques de répétition qu’une approche comparatiste permet d’appréhender.
Froidefond, Marik
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Unbekannte Brünner Oratorien Neapolitanischer Komponisten vor 1740
Musicologica Brunensia, 2014 An unprecedented upsurge of the Italian oratorio was experienced in Brno, South Moravia, in 1720s and 1730s, testified by 49 extant oratorio libretti of local origin.
Jana Spáčilová
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Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey
Musicologica Brunensia, 2018 The study focuses on the reception of the opera Antigona by Giuseppe Maria Orlandini from its premiere in Venice in 1718 to the productions in Breslau 1728 and Brno 1736.
Jana Spáčilová
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“Passion, Lament, Glory”: Baroque Music and Modern Social Justice Resonances
Voices, 2017 Baroque religious music was composed and performed to stimulate devotion as well as the inspire passion through the theatricality of the religious ritual including the processional arrangements which worked in tandem with the performance practices based ...
Jane W. Davidson
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Musicologica Brunensia, 2018 On November 16th, 1726, a Pastoral Opera by Antonio Caldara was performed in Dublin, which, according to the libretto, was written in Rome. At the time of the performance, Caldara has already served as vice-chapel master in the service of the imperial ...
Andrea Zedler, Magdalena Boschung
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Le elezioni politiche del 2001 e la questione dei seggi vacanti
QOE-IJES, 2005 Le elezioni politiche del maggio 2001 sono destinate a restare nella storia, quanto meno in virtù di un evento che non si era mai verificato in precedenza, vale a dire l’impossibilità di assegnare alcuni seggi della Camera dei deputati a causa dell ...
Alessandro Gigliotti
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Borrowing, Reworking, and Composing: The Making of the Viennese Pasticci of 1750
Musicologica Austriaca, 2020 The dramma per musica Andromeda liberata, the favola pastorale Euridice, and the azione teatrale Armida placata, all performed for the first time in Vienna at the Theater nächst der Burg in 1750, are, as pasticci, quite exceptional for the Viennese opera
Michele Calella, Günter Stummvoll
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Musicologica Brunensia, 2018 Prince Teodor Lubomirski staged 4 operas in his Polish estates: Venceslao, La fede ne'tradimenti, Mariane, Griselda (1725–1727). The Kraków prints of the libretti for the first 3 operas follow the Venetians prints (1722, 1721, 1724), while the Cracovian ...
Anna Ryszka-Komarnicka
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