Results 1 to 10 of about 1,477 (159)
The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile
This article examines the contributions of three contemporary Chilean women poets, Cecilia Vicuña, Anamaría Briede and Luna Montenegro to the UK Writers Forum and its Chilean counterpart, El Foro de Escritores.
Jèssica Pujol Duran
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How can a poem be true? This autoethnographic study uses poetic inquiry to explore the boundaries between fiction and reality within poetic experience.
John L. Hoben
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The narrative elements and dominant structural components in Iraqi prose poetry.
The importance of narration as a literary field that has received widespread attention from writers and critics in their various writings, whether at the level of theorization or practice.
ا.د هيثم عباس سالم +1 more
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Variations in the application of the components of the oral performance to Yoruba chants
It is common knowledge in oral literature that every oral form is naturally performed. The components of the oral performance are, namely, the text, the oral artist, the audience, music, and histrionics.
Gboyega Kolawole
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CYBERPUNK – GAME – POETRY: Rostislav Amelin’s “SimStab”
The article discusses “SimStab” [Simulator of Stability], a poetic performance by a young Russian poet, Rostislav Amelin, as an effective hybrid of the innovative poetry, video game, and the cyberpunk genre models.
Daniil Leiderman, Mark Lipovetsky
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Towards the Visualin Poetic Experimentation: Stephane Mallarmé & Guillaume Apollinaire [PDF]
This article discusses the poetics of two famous French poets and critics: Stephane Mallarmé (1842-1898) and Guillaume Apollinaire (1880-1918), whose aesthetic experiments have had a tremendous impact on 20th-century experimental poetics since their ...
ناجي محمد فهيم عويس رشوان
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Poetics of Performing: Becoming a Mother [PDF]
In this article, I part from the argument developed by Valsiner in a text on pathways to development and education (Valsiner, 2008): he claims we need to move from the static ontology of being—which asks “what is X?” to the epistemology of becoming—which asks “what is X becoming.” He then asks the consequent question: how to do empirical work on that ...
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In the open-air performances organised at the beginning of the 20th century at the Greek theatre of Syracuse, one can appreciate the transformation from a melodrama-like performance to a “rhythmic” performance, with the addition of a dancing chorus to ...
Giulia Bordignon
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Code switching in contemporary isiZulu performance poetry
Recent developments in isiZulu poetry have been marked by an emergence of performance poets whose poems have gained popularity with younger audiences.
Bongephiwe Dlamini Myeni +1 more
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”Dette skulle bli et dikt som noen skulle huske en stund”
”This was supposed to become a poem which someone would remember for a while”: Stage Art as Poetry for Children in the Theatre Performance Snutebiller, stankelben Abstract: Norwegian author Rolf Jacobsen’s (1907–1994) modernist poetry, originally ...
Silje Harr Svare, Anne Skaret
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