Results 51 to 60 of about 2,697 (135)
Sonata Form as Temporal Process: the First Movement of Bruckner's Sixth symphony
Music Analysis, Volume 43, Issue 1, Page 36-76, March 2024.ABSTRACT The timeworn view that Bruckner's sonata form is a motionless architecture devoid of dynamic processes has long contributed his isolation from the mainstream post‐Beethovenian tradition. Taking inspiration from August Halm's (1914) and Ernst Kurth's (1925) approaches, which were aimed at overcoming this view, this article seeks to elucidate ...
SUNBIN KIM
wiley +1 more source
Symbolic Melodic Similarity: State of the Art and Future Challenges [PDF]
, 2016 Fostered by the introduction of the Music Information Retrieval Evaluation eXchange (MIREX) competition, the number of systems which calculate Symbolic Melodic Similarity has recently increased considerably.
Bohak C. +8 more
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Echoes in Plato's cave:ontology of sound objects in computer music and analysis [PDF]
, 2014 The sonic aspects of Plato's analogy of the cave is taken as a starting point for thought experiments to investigate the objective nature of sound, and the idea of quasi-Platonic forms in music.
Marsden, Alan
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Motivo e forma nel terzo movimento della Sonata op. 27 n. 2 [PDF]
, 1996 Schenkerian analysis of Beethoven's Piano Sonata op. 27 n.
Sanguinetti, G
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SCHUBOT: Machine Learning Tools for the Automated Analysis of Schubert’s Lieder [PDF]
, 2014 This paper compares various methods for automated musical analysis, applying machine learning techniques to gain insight about the Lieder (art songs) of com- poser Franz Schubert (1797-1828).
Nagler, Dylan Jeremy
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A standard format proposal for hierarchical analyses and representations [PDF]
, 2016 In the realm of digital musicology, standardizations efforts to date have mostly concentrated on the representation of music. Analyses of music are increasingly being generated or communicated by digital means.
Marsden, Alan Alexander, Rizo, David
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On Metaphor, Technology, and Schenkerian Analysis
Music Theory Online, 1999 Multimedia renderings for the World-Wide Web are offered as models which extend the technology commonly employed in expressing Schenkerian analysis. The study begins with a new appraisal of the role of metaphor, establishing that the qualities of imitation and participation which are embodied in the communication of metaphor are central to a ...
openaire +1 more source
Sins of the Father: Schenker, Schenkerism and Ewell's On Music Theory
Music Analysis, Volume 43, Issue 1, Page 136-174, March 2024.
Bryan J. Parkhurst
wiley +1 more source
The Western reception of Sergei Taneyev [PDF]
, 2015 Sergei Taneyev is not a common name in Western musicology. Short studies of his theoretical writings include Allen Forte’s critical review of New Grove (1982), Ellon Carpenter’s survey in Russian Theoretical Thought in Music (1983), and Catherine Nolan’s
Desbruslais, Simon
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