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IJSD Volume 8 Editorial: Solo/Screen [PDF]
The International Journal of Screendance, 2017 This volume did not start out as a themed issue, but similarities will emerge among any collection of essays when ideas and authors find themselves in proximity to one another.
Harmony Bench, Simon Ellis
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Screendance Self/portraits [PDF]
The International Journal of Screendance, 2017 Screendance works often comprise multiple authorial perspectives. The camera, staging, sound, choreography and context all contribute to the aesthetic and conceptual potential of the work. This provocation draws on Tamara Tomić-Vajagić’s (2016) notion of
Hetty Blades
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Unexamined assumptions: A Conversation between Arabella Stanger and Simon Ellis [PDF]
The International Journal of Screendance, 2016 A Conversation between Arabella Stanger and Simon Ellis regarding student screendance projects at Roehampton University.
Arabella Stanger, Simon Ellis
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Audience as Community: Corporeal Knowledge and Empathetic Viewing [PDF]
The International Journal of Screendance, 2015 This essay focuses on community in the form of audiences, and in particular, screendance audiences. A specific focus is given to a collection of screendance experiences from viewing a selection of contemporary dance films. The term screendance is used in
Karen Wood
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Understanding The “Dance” In Radical Screendance [PDF]
The International Journal of Screendance, 2014 There was a time when screendance implied a dancing body. The “dance” may have taken the shape of formal vocabulary or a looser interpretation of movement as dance, but common to either approach would have been the sight of humans in motion.
Anna Heighway
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Editorial: This Is Where We Dance Now [PDF]
The International Journal of Screendance, 2021 No abstract available.
Harmony Bench, Alexandra Harlig
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IJSD Volume 6 Editorial: Field Perceptions [PDF]
The International Journal of Screendance, 2016 No abstract available.
Harmony Bench, Simon Ellis
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How Screendance Was Invented While We Were Busy Claiming It Wasn’t [PDF]
The International Journal of Screendance, 2019 Many screendance authors seem to worry about the marginalized state of the practice and its lack of a solid scholarly discourse. This leitmotif goes against my perception of screendance as one of the fastest growing fields in dance, both in practice and ...
Katja Vaghi
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Danza e Ricerca, 2021 The Chinese screendance evolved with variations in definitions and way of practices from the same art discipline emerged in the West. It came through a unique historical path of the cultural foundations of its own original references.
Xiao Huang
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